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'This Is Getting a Little Too Chinese for Me': The Representation of China in Crime Fiction Written in English

Identificadores del recurso

https://doi.org/10.1344/co20162067-82

1988-5946

http://hdl.handle.net/10459.1/59766

Procedència

(Repositori Obert UdL)

Fitxa

Títol:: 'This Is Getting a Little Too Chinese for Me': The Representation of China in Crime Fiction Written in English
Tema:: Crime fiction in English; China; (Sino)Orientalism; Post-colonial/postcolonial crime fiction; Lisa See; Peter May; Catherine Sampson; Lisa Brackmann; Duncan Jepson; Novel·la negra -- Història i crítica; Novel·la negra -- Xina
Descripció:: The article addresses the representation of China in contemporary crime fiction written in English. A close examination of a selection of works set in China by Lisa See, Peter May, Catherine Sampson, Lisa Brackmann and Duncan Jepson reveals that, following the hardboiled tradition and crime fictions produced in post-colonial times, these narratives scrutinize the West’s many deficiencies. However, the authors do not articulate a truly postcolonial discourse aimed at destabilizing the notion of the assumed superiority of the West and its right to intrude in other countries’ affairs. Furthermore, these narratives seem to be written to confirm the readers’ worst expectations about China, which is fated to stay poor, backward and ultimately Other, unable to achieve some degree of ‘normalization’ or Westernization that could legitimize China’s claims to modernity, improvement and ascendancy in our global economy. Thus, as we vicariously travel the country through these narratives, we face the usual array of fraudsters, tricksters and blood-thirsty murderers that populate crime fictions, but it is China itself that is singled out as the true monster of the stories.; Spanish Ministry of Economy and Competitiveness
Idioma:: English
Relació:: MINECO/PN2013-2016/FFI2013-45101-P; Reproducció del document publicat a http://dx.doi.org/10.1344/co20162067-82; Coolabah, 2016, núm. 20, p. 67-82
Autor/Productor:: Santaularia Capdevila, Isabel
Editor:: Observatori: Centre d’Estudis Australians, Australian Studies Centre, Universitat de Barcelona
Drets:: (c) Santaulària i Capdevila, Isabel, 2016; info:eu-repo/semantics/openAccess
Data:: 2017-06-01T18:29:24Z; 2016
Tipo de recurso:: article; publishedVersion

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        <field name="value">The article addresses the representation of China in contemporary crime fiction written in English. A close examination of a selection of works set in China by Lisa See, Peter May, Catherine Sampson, Lisa Brackmann and Duncan Jepson reveals that, following the hardboiled tradition and crime fictions produced in post-colonial times, these narratives scrutinize the West’s many deficiencies. However, the authors do not articulate a truly postcolonial discourse aimed at destabilizing the notion of the assumed superiority of the West and its right to intrude in other countries’ affairs. Furthermore, these narratives seem to be written to confirm the readers’ worst expectations about China, which is fated to stay poor, backward and ultimately Other, unable to achieve some degree of ‘normalization’ or Westernization that could legitimize China’s claims to modernity, improvement and ascendancy in our global economy. Thus, as we vicariously travel the country through these narratives, we face the usual array of fraudsters, tricksters and blood-thirsty murderers that populate crime fictions, but it is China itself that is singled out as the true monster of the stories.</field>
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      1. <field name="value">(c) Santaulària i Capdevila, Isabel, 2016</field>
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