<?xml version="1.0" encoding="UTF-8" ?>
<oai_dc:dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
<dc:title>'Troubling thrillers': between politics and popular fiction in the novels of Benedict Kiely, Brian Moore and Colin Bateman</dc:title>
<dc:creator>Morales Ladrón, María Soledad</dc:creator>
<dc:subject>Troubles thriller</dc:subject>
<dc:subject>Detective</dc:subject>
<dc:subject>Identity</dc:subject>
<dc:subject>Northern Ireland politics</dc:subject>
<dc:subject>Benedict Kiely</dc:subject>
<dc:subject>Brian Moore</dc:subject>
<dc:subject>Colin Bateman</dc:subject>
<dc:subject>Humanidades</dc:subject>
<dc:subject>Filología</dc:subject>
<dc:subject>Humanities</dc:subject>
<dc:subject>Philology</dc:subject>
<dc:description>Since the beginning of the Northern Ireland “Troubles”, interest in exploring the social and political concerns of a region affected by sectarian violence and religious bigotry has produced a significant body of literary works within which the thriller has become one of the most suitable forms of expression. The traditional action thriller has acquired in this context a rich political dimension, producing what is now widely known as the “Troubles thriller." The development of this mode has diverged into two categories: the “Troubles-trash”; and a more “literary” form, which draws on serious political matters to reflect upon social and religious disputes. Both kinds, however, have been criticised for offering a stagnant and reductive version of the dynamics of the conflict; a judgement that should be qualified. Bearing this in mind, the purpose of the present article is to analyse the ways in which these issues are echoed in the literary productions of three well-known writers: Benedict Kiely, Brian Moore and Colin Bateman.</dc:description>
<dc:date>2017-09-13T12:21:58Z</dc:date>
<dc:date>2017-09-13T12:21:58Z</dc:date>
<dc:date>2006-03-01</dc:date>
<dc:date>2017-09-13T12:18:04Z</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
<dc:identifier>Estudios irlandeses, 2006, n. 1, p. 58-66</dc:identifier>
<dc:identifier>1699-311X</dc:identifier>
<dc:identifier>http://hdl.handle.net/10017/30342</dc:identifier>
<dc:identifier>10.24162/ei2006-1340</dc:identifier>
<dc:identifier>AR/0000018090</dc:identifier>
<dc:identifier>Estudios irlandeses</dc:identifier>
<dc:identifier>66</dc:identifier>
<dc:identifier>1</dc:identifier>
<dc:identifier>58</dc:identifier>
<dc:language>eng</dc:language>
<dc:rights>Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)</dc:rights>
<dc:rights>http://creativecommons.org/licenses/by-nc-sa/4.0/</dc:rights>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:format>application/pdf</dc:format>
</oai_dc:dc>
<?xml version="1.0" encoding="UTF-8" ?>
<d:DIDL schemaLocation="urn:mpeg:mpeg21:2002:02-DIDL-NS http://standards.iso.org/ittf/PubliclyAvailableStandards/MPEG-21_schema_files/did/didl.xsd">
<d:DIDLInfo>
<dcterms:created schemaLocation="http://purl.org/dc/terms/ http://dublincore.org/schemas/xmls/qdc/dcterms.xsd">2017-09-13T12:21:58Z</dcterms:created>
</d:DIDLInfo>
<d:Item id="hdl_10017_30342">
<d:Descriptor>
<d:Statement mimeType="application/xml; charset=utf-8">
<dii:Identifier schemaLocation="urn:mpeg:mpeg21:2002:01-DII-NS http://standards.iso.org/ittf/PubliclyAvailableStandards/MPEG-21_schema_files/dii/dii.xsd">urn:hdl:10017/30342</dii:Identifier>
</d:Statement>
</d:Descriptor>
<d:Descriptor>
<d:Statement mimeType="application/xml; charset=utf-8">
<oai_dc:dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
<dc:title>'Troubling thrillers': between politics and popular fiction in the novels of Benedict Kiely, Brian Moore and Colin Bateman</dc:title>
<dc:creator>Morales Ladrón, María Soledad</dc:creator>
<dc:subject>Troubles thriller</dc:subject>
<dc:subject>Detective</dc:subject>
<dc:subject>Identity</dc:subject>
<dc:subject>Northern Ireland politics</dc:subject>
<dc:subject>Benedict Kiely</dc:subject>
<dc:subject>Brian Moore</dc:subject>
<dc:subject>Colin Bateman</dc:subject>
<dc:description>Since the beginning of the Northern Ireland “Troubles”, interest in exploring the social and political concerns of a region affected by sectarian violence and religious bigotry has produced a significant body of literary works within which the thriller has become one of the most suitable forms of expression. The traditional action thriller has acquired in this context a rich political dimension, producing what is now widely known as the “Troubles thriller." The development of this mode has diverged into two categories: the “Troubles-trash”; and a more “literary” form, which draws on serious political matters to reflect upon social and religious disputes. Both kinds, however, have been criticised for offering a stagnant and reductive version of the dynamics of the conflict; a judgement that should be qualified. Bearing this in mind, the purpose of the present article is to analyse the ways in which these issues are echoed in the literary productions of three well-known writers: Benedict Kiely, Brian Moore and Colin Bateman.</dc:description>
<dc:date>2017-09-13T12:21:58Z</dc:date>
<dc:date>2017-09-13T12:21:58Z</dc:date>
<dc:date>2006-03-01</dc:date>
<dc:date>2017-09-13T12:18:04Z</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:identifier>Estudios irlandeses, 2006, n. 1, p. 58-66</dc:identifier>
<dc:identifier>1699-311X</dc:identifier>
<dc:identifier>http://hdl.handle.net/10017/30342</dc:identifier>
<dc:identifier>10.24162/ei2006-1340</dc:identifier>
<dc:identifier>AR/0000018090</dc:identifier>
<dc:identifier>Estudios irlandeses</dc:identifier>
<dc:identifier>66</dc:identifier>
<dc:identifier>1</dc:identifier>
<dc:identifier>58</dc:identifier>
<dc:language>eng</dc:language>
<dc:rights>http://creativecommons.org/licenses/by-nc-sa/4.0/</dc:rights>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:rights>Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)</dc:rights>
</oai_dc:dc>
</d:Statement>
</d:Descriptor>
<d:Component id="10017_30342_3">
</d:Component>
</d:Item>
</d:DIDL>
<?xml version="1.0" encoding="UTF-8" ?>
<dim:dim schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
<dim:field authority="27437" confidence="500" element="contributor" mdschema="dc" orcid_id="" qualifier="author">Morales Ladrón, María Soledad</dim:field>
<dim:field element="date" mdschema="dc" qualifier="accessioned">2017-09-13T12:21:58Z</dim:field>
<dim:field element="date" mdschema="dc" qualifier="available">2017-09-13T12:21:58Z</dim:field>
<dim:field element="date" mdschema="dc" qualifier="issued">2006-03-01</dim:field>
<dim:field element="date" mdschema="dc" qualifier="updated">2017-09-13T12:18:04Z</dim:field>
<dim:field element="identifier" lang="es_ES" mdschema="dc" qualifier="bibliographicCitation">Estudios irlandeses, 2006, n. 1, p. 58-66</dim:field>
<dim:field element="identifier" mdschema="dc" qualifier="issn">1699-311X</dim:field>
<dim:field element="identifier" mdschema="dc" qualifier="uri">http://hdl.handle.net/10017/30342</dim:field>
<dim:field element="identifier" mdschema="dc" qualifier="doi">10.24162/ei2006-1340</dim:field>
<dim:field element="identifier" mdschema="dc" qualifier="uxxi">AR/0000018090</dim:field>
<dim:field element="identifier" lang="es_ES" mdschema="dc" qualifier="publicationtitle">Estudios irlandeses</dim:field>
<dim:field element="identifier" mdschema="dc" qualifier="publicationlastpage">66</dim:field>
<dim:field element="identifier" mdschema="dc" qualifier="publicationissue">1</dim:field>
<dim:field element="identifier" mdschema="dc" qualifier="publicationfirstpage">58</dim:field>
<dim:field element="description" lang="en" mdschema="dc" qualifier="abstract">Since the beginning of the Northern Ireland “Troubles”, interest in exploring the social and political concerns of a region affected by sectarian violence and religious bigotry has produced a significant body of literary works within which the thriller has become one of the most suitable forms of expression. The traditional action thriller has acquired in this context a rich political dimension, producing what is now widely known as the “Troubles thriller." The development of this mode has diverged into two categories: the “Troubles-trash”; and a more “literary” form, which draws on serious political matters to reflect upon social and religious disputes. Both kinds, however, have been criticised for offering a stagnant and reductive version of the dynamics of the conflict; a judgement that should be qualified. Bearing this in mind, the purpose of the present article is to analyse the ways in which these issues are echoed in the literary productions of three well-known writers: Benedict Kiely, Brian Moore and Colin Bateman.</dim:field>
<dim:field element="format" lang="en" mdschema="dc" qualifier="mimetype">application/pdf</dim:field>
<dim:field element="language" lang="en" mdschema="dc" qualifier="iso">eng</dim:field>
<dim:field element="rights" lang="en" mdschema="dc">Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)</dim:field>
<dim:field element="rights" lang="en" mdschema="dc" qualifier="uri">http://creativecommons.org/licenses/by-nc-sa/4.0/</dim:field>
<dim:field element="rights" lang="en" mdschema="dc" qualifier="accessRights">info:eu-repo/semantics/openAccess</dim:field>
<dim:field element="subject" lang="en" mdschema="dc">Troubles thriller</dim:field>
<dim:field element="subject" lang="en" mdschema="dc">Detective</dim:field>
<dim:field element="subject" lang="en" mdschema="dc">Identity</dim:field>
<dim:field element="subject" lang="en" mdschema="dc">Northern Ireland politics</dim:field>
<dim:field element="subject" mdschema="dc">Benedict Kiely</dim:field>
<dim:field element="subject" mdschema="dc">Brian Moore</dim:field>
<dim:field element="subject" mdschema="dc">Colin Bateman</dim:field>
<dim:field element="subject" lang="es_ES" mdschema="dc" qualifier="eciencia">Humanidades</dim:field>
<dim:field element="subject" lang="es_ES" mdschema="dc" qualifier="eciencia">Filología</dim:field>
<dim:field element="subject" lang="en" mdschema="dc" qualifier="eciencia">Humanities</dim:field>
<dim:field element="subject" lang="en" mdschema="dc" qualifier="eciencia">Philology</dim:field>
<dim:field element="title" lang="en" mdschema="dc">'Troubling thrillers': between politics and popular fiction in the novels of Benedict Kiely, Brian Moore and Colin Bateman</dim:field>
<dim:field element="type" lang="en" mdschema="dc">info:eu-repo/semantics/article</dim:field>
<dim:field element="type" lang="en" mdschema="dc" qualifier="version">info:eu-repo/semantics/publishedVersion</dim:field>
<dim:field element="affiliation" lang="es_ES" mdschema="dc" qualifier="dpto">Universidad de Alcalá. Departamento de Filología Moderna</dim:field>
<dim:field element="affiliation" lang="es_ES" mdschema="dc" qualifier="unidad">Área de Filología Inglesa</dim:field>
</dim:dim>
<?xml version="1.0" encoding="UTF-8" ?>
<rdf:RDF schemaLocation="http://www.w3.org/1999/02/22-rdf-syntax-ns# http://www.europeana.eu/schemas/edm/EDM.xsd">
<edm:ProvidedCHO about="http://hdl.handle.net/10017/30342">
<dc:creator>Morales Ladrón, María Soledad</dc:creator>
<dc:date>2006-03-01</dc:date>
<dc:description>Since the beginning of the Northern Ireland “Troubles”, interest in exploring the social and political concerns of a region affected by sectarian violence and religious bigotry has produced a significant body of literary works within which the thriller has become one of the most suitable forms of expression. The traditional action thriller has acquired in this context a rich political dimension, producing what is now widely known as the “Troubles thriller." The development of this mode has diverged into two categories: the “Troubles-trash”; and a more “literary” form, which draws on serious political matters to reflect upon social and religious disputes. Both kinds, however, have been criticised for offering a stagnant and reductive version of the dynamics of the conflict; a judgement that should be qualified. Bearing this in mind, the purpose of the present article is to analyse the ways in which these issues are echoed in the literary productions of three well-known writers: Benedict Kiely, Brian Moore and Colin Bateman.</dc:description>
<dc:format>application/pdf</dc:format>
<dc:identifier>http://hdl.handle.net/10017/30342</dc:identifier>
<dc:language>eng</dc:language>
<dc:subject>Troubles thriller</dc:subject>
<dc:subject>Detective</dc:subject>
<dc:subject>Identity</dc:subject>
<dc:subject>Northern Ireland politics</dc:subject>
<dc:subject>Benedict Kiely</dc:subject>
<dc:subject>Brian Moore</dc:subject>
<dc:subject>Colin Bateman</dc:subject>
<dc:subject>Humanidades</dc:subject>
<dc:subject>Filología</dc:subject>
<dc:subject>Humanities</dc:subject>
<dc:subject>Philology</dc:subject>
<dc:title>'Troubling thrillers': between politics and popular fiction in the novels of Benedict Kiely, Brian Moore and Colin Bateman</dc:title>
<dc:type>info:eu-repo/semantics/article</dc:type>
<edm:type>TEXT</edm:type>
</edm:ProvidedCHO>
<ore:Aggregation about="http://hdl.handle.net/10017/30342#aggregation">
<edm:dataProvider>e_Buah Biblioteca Digital de la Universidad de Alcalá</edm:dataProvider>
<edm:provider>Hispana</edm:provider>
</ore:Aggregation>
<edm:WebResource about="https://ebuah.uah.es/dspace/bitstream/10017/30342/3/troubles_morales_EI_2006.pdf">
<dc:format>application/pdf</dc:format>
</edm:WebResource>
</rdf:RDF>
<?xml version="1.0" encoding="UTF-8" ?>
<europeana:record schemaLocation="http://www.europeana.eu/schemas/ese/ http://www.europeana.eu/schemas/ese/ESE-V3.4.xsd">
<dc:title>'Troubling thrillers': between politics and popular fiction in the novels of Benedict Kiely, Brian Moore and Colin Bateman</dc:title>
<dc:creator>Morales Ladrón, María Soledad</dc:creator>
<dc:subject>Troubles thriller</dc:subject>
<dc:subject>Detective</dc:subject>
<dc:subject>Identity</dc:subject>
<dc:subject>Northern Ireland politics</dc:subject>
<dc:subject>Benedict Kiely</dc:subject>
<dc:subject>Brian Moore</dc:subject>
<dc:subject>Colin Bateman</dc:subject>
<dc:subject>Humanidades</dc:subject>
<dc:subject>Filología</dc:subject>
<dc:subject>Humanities</dc:subject>
<dc:subject>Philology</dc:subject>
<dc:description>Since the beginning of the Northern Ireland “Troubles”, interest in exploring the social and political concerns of a region affected by sectarian violence and religious bigotry has produced a significant body of literary works within which the thriller has become one of the most suitable forms of expression. The traditional action thriller has acquired in this context a rich political dimension, producing what is now widely known as the “Troubles thriller." The development of this mode has diverged into two categories: the “Troubles-trash”; and a more “literary” form, which draws on serious political matters to reflect upon social and religious disputes. Both kinds, however, have been criticised for offering a stagnant and reductive version of the dynamics of the conflict; a judgement that should be qualified. Bearing this in mind, the purpose of the present article is to analyse the ways in which these issues are echoed in the literary productions of three well-known writers: Benedict Kiely, Brian Moore and Colin Bateman.</dc:description>
<dc:date>2017-09-13T12:21:58Z</dc:date>
<dc:date>2017-09-13T12:21:58Z</dc:date>
<dc:date>2006-03-01</dc:date>
<dc:date>2017-09-13T12:18:04Z</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
<dc:identifier>Estudios irlandeses, 2006, n. 1, p. 58-66</dc:identifier>
<dc:identifier>1699-311X</dc:identifier>
<dc:identifier>http://hdl.handle.net/10017/30342</dc:identifier>
<dc:identifier>10.24162/ei2006-1340</dc:identifier>
<dc:identifier>AR/0000018090</dc:identifier>
<dc:identifier>Estudios irlandeses</dc:identifier>
<dc:identifier>66</dc:identifier>
<dc:identifier>1</dc:identifier>
<dc:identifier>58</dc:identifier>
<dc:language>eng</dc:language>
<dc:rights>Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)</dc:rights>
<dc:rights>http://creativecommons.org/licenses/by-nc-sa/4.0/</dc:rights>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:format>application/pdf</dc:format>
<europeana:provider>Hispana</europeana:provider>
<europeana:type>TEXT</europeana:type>
<europeana:rights>http://creativecommons.org/licenses/by-nc-sa/4.0/</europeana:rights>
<europeana:dataProvider>Universidad de Alcalá</europeana:dataProvider>
<europeana:isShownAt>http://hdl.handle.net/10017/30342</europeana:isShownAt>
</europeana:record>
<?xml version="1.0" encoding="UTF-8" ?>
<thesis schemaLocation="http://www.ndltd.org/standards/metadata/etdms/1.0/ http://www.ndltd.org/standards/metadata/etdms/1.0/etdms.xsd">
<title>'Troubling thrillers': between politics and popular fiction in the novels of Benedict Kiely, Brian Moore and Colin Bateman</title>
<creator>Morales Ladrón, María Soledad</creator>
<subject>Troubles thriller</subject>
<subject>Detective</subject>
<subject>Identity</subject>
<subject>Northern Ireland politics</subject>
<subject>Benedict Kiely</subject>
<subject>Brian Moore</subject>
<subject>Colin Bateman</subject>
<description>Since the beginning of the Northern Ireland “Troubles”, interest in exploring the social and political concerns of a region affected by sectarian violence and religious bigotry has produced a significant body of literary works within which the thriller has become one of the most suitable forms of expression. The traditional action thriller has acquired in this context a rich political dimension, producing what is now widely known as the “Troubles thriller." The development of this mode has diverged into two categories: the “Troubles-trash”; and a more “literary” form, which draws on serious political matters to reflect upon social and religious disputes. Both kinds, however, have been criticised for offering a stagnant and reductive version of the dynamics of the conflict; a judgement that should be qualified. Bearing this in mind, the purpose of the present article is to analyse the ways in which these issues are echoed in the literary productions of three well-known writers: Benedict Kiely, Brian Moore and Colin Bateman.</description>
<date>2017-09-13</date>
<date>2017-09-13</date>
<date>2006-03-01</date>
<date>2017-09-13</date>
<type>info:eu-repo/semantics/article</type>
<identifier>Estudios irlandeses, 2006, n. 1, p. 58-66</identifier>
<identifier>1699-311X</identifier>
<identifier>http://hdl.handle.net/10017/30342</identifier>
<identifier>10.24162/ei2006-1340</identifier>
<identifier>AR/0000018090</identifier>
<identifier>Estudios irlandeses</identifier>
<identifier>66</identifier>
<identifier>1</identifier>
<identifier>58</identifier>
<language>eng</language>
<rights>http://creativecommons.org/licenses/by-nc-sa/4.0/</rights>
<rights>info:eu-repo/semantics/openAccess</rights>
<rights>Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)</rights>
</thesis>
<?xml version="1.0" encoding="UTF-8" ?>
<record schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd">
<leader>00925njm 22002777a 4500</leader>
<datafield ind1=" " ind2=" " tag="042">
<subfield code="a">dc</subfield>
</datafield>
<datafield ind1=" " ind2=" " tag="720">
<subfield code="a">Morales Ladrón, María Soledad</subfield>
<subfield code="e">author</subfield>
</datafield>
<datafield ind1=" " ind2=" " tag="260">
<subfield code="c">2006-03-01</subfield>
</datafield>
<datafield ind1=" " ind2=" " tag="520">
<subfield code="a">Since the beginning of the Northern Ireland “Troubles”, interest in exploring the social and political concerns of a region affected by sectarian violence and religious bigotry has produced a significant body of literary works within which the thriller has become one of the most suitable forms of expression. The traditional action thriller has acquired in this context a rich political dimension, producing what is now widely known as the “Troubles thriller." The development of this mode has diverged into two categories: the “Troubles-trash”; and a more “literary” form, which draws on serious political matters to reflect upon social and religious disputes. Both kinds, however, have been criticised for offering a stagnant and reductive version of the dynamics of the conflict; a judgement that should be qualified. Bearing this in mind, the purpose of the present article is to analyse the ways in which these issues are echoed in the literary productions of three well-known writers: Benedict Kiely, Brian Moore and Colin Bateman.</subfield>
</datafield>
<datafield ind1="8" ind2=" " tag="024">
<subfield code="a">Estudios irlandeses, 2006, n. 1, p. 58-66</subfield>
</datafield>
<datafield ind1="8" ind2=" " tag="024">
<subfield code="a">1699-311X</subfield>
</datafield>
<datafield ind1="8" ind2=" " tag="024">
<subfield code="a">http://hdl.handle.net/10017/30342</subfield>
</datafield>
<datafield ind1="8" ind2=" " tag="024">
<subfield code="a">10.24162/ei2006-1340</subfield>
</datafield>
<datafield ind1="8" ind2=" " tag="024">
<subfield code="a">AR/0000018090</subfield>
</datafield>
<datafield ind1="8" ind2=" " tag="024">
<subfield code="a">Estudios irlandeses</subfield>
</datafield>
<datafield ind1="8" ind2=" " tag="024">
<subfield code="a">66</subfield>
</datafield>
<datafield ind1="8" ind2=" " tag="024">
<subfield code="a">1</subfield>
</datafield>
<datafield ind1="8" ind2=" " tag="024">
<subfield code="a">58</subfield>
</datafield>
<datafield ind1=" " ind2=" " tag="653">
<subfield code="a">Troubles thriller</subfield>
</datafield>
<datafield ind1=" " ind2=" " tag="653">
<subfield code="a">Detective</subfield>
</datafield>
<datafield ind1=" " ind2=" " tag="653">
<subfield code="a">Identity</subfield>
</datafield>
<datafield ind1=" " ind2=" " tag="653">
<subfield code="a">Northern Ireland politics</subfield>
</datafield>
<datafield ind1=" " ind2=" " tag="653">
<subfield code="a">Benedict Kiely</subfield>
</datafield>
<datafield ind1=" " ind2=" " tag="653">
<subfield code="a">Brian Moore</subfield>
</datafield>
<datafield ind1=" " ind2=" " tag="653">
<subfield code="a">Colin Bateman</subfield>
</datafield>
<datafield ind1="0" ind2="0" tag="245">
<subfield code="a">'Troubling thrillers': between politics and popular fiction in the novels of Benedict Kiely, Brian Moore and Colin Bateman</subfield>
</datafield>
</record>
<?xml version="1.0" encoding="UTF-8" ?>
<mets ID=" DSpace_ITEM_10017-30342" OBJID=" hdl:10017/30342" PROFILE="DSpace METS SIP Profile 1.0" TYPE="DSpace ITEM" schemaLocation="http://www.loc.gov/METS/ http://www.loc.gov/standards/mets/mets.xsd">
<metsHdr CREATEDATE="2024-08-06T15:25:13Z">
<agent ROLE="CUSTODIAN" TYPE="ORGANIZATION">
<name>e_Buah Biblioteca Digital de la Universidad de Alcalá</name>
</agent>
</metsHdr>
<dmdSec ID="DMD_10017_30342">
<mdWrap MDTYPE="MODS">
<xmlData schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
<mods:mods schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
<mods:name>
<mods:role>
<mods:roleTerm type="text">author</mods:roleTerm>
</mods:role>
<mods:namePart>Morales Ladrón, María Soledad</mods:namePart>
</mods:name>
<mods:extension>
<mods:dateAccessioned encoding="iso8601">2017-09-13T12:21:58Z</mods:dateAccessioned>
</mods:extension>
<mods:extension>
<mods:dateAvailable encoding="iso8601">2017-09-13T12:21:58Z</mods:dateAvailable>
</mods:extension>
<mods:originInfo>
<mods:dateIssued encoding="iso8601">2006-03-01</mods:dateIssued>
</mods:originInfo>
<mods:identifier type="bibliographicCitation">Estudios irlandeses, 2006, n. 1, p. 58-66</mods:identifier>
<mods:identifier type="issn">1699-311X</mods:identifier>
<mods:identifier type="uri">http://hdl.handle.net/10017/30342</mods:identifier>
<mods:identifier type="doi">10.24162/ei2006-1340</mods:identifier>
<mods:identifier type="uxxi">AR/0000018090</mods:identifier>
<mods:identifier type="publicationtitle">Estudios irlandeses</mods:identifier>
<mods:identifier type="publicationlastpage">66</mods:identifier>
<mods:identifier type="publicationissue">1</mods:identifier>
<mods:identifier type="publicationfirstpage">58</mods:identifier>
<mods:abstract>Since the beginning of the Northern Ireland “Troubles”, interest in exploring the social and political concerns of a region affected by sectarian violence and religious bigotry has produced a significant body of literary works within which the thriller has become one of the most suitable forms of expression. The traditional action thriller has acquired in this context a rich political dimension, producing what is now widely known as the “Troubles thriller." The development of this mode has diverged into two categories: the “Troubles-trash”; and a more “literary” form, which draws on serious political matters to reflect upon social and religious disputes. Both kinds, however, have been criticised for offering a stagnant and reductive version of the dynamics of the conflict; a judgement that should be qualified. Bearing this in mind, the purpose of the present article is to analyse the ways in which these issues are echoed in the literary productions of three well-known writers: Benedict Kiely, Brian Moore and Colin Bateman.</mods:abstract>
<mods:language>
<mods:languageTerm authority="rfc3066">eng</mods:languageTerm>
</mods:language>
<mods:accessCondition type="useAndReproduction">Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)</mods:accessCondition>
<mods:subject>
<mods:topic>Troubles thriller</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Detective</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Identity</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Northern Ireland politics</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Benedict Kiely</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Brian Moore</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Colin Bateman</mods:topic>
</mods:subject>
<mods:titleInfo>
<mods:title>'Troubling thrillers': between politics and popular fiction in the novels of Benedict Kiely, Brian Moore and Colin Bateman</mods:title>
</mods:titleInfo>
<mods:genre>info:eu-repo/semantics/article</mods:genre>
</mods:mods>
</xmlData>
</mdWrap>
</dmdSec>
<amdSec ID="TMD_10017_30342">
<rightsMD ID="RIG_10017_30342">
<mdWrap MDTYPE="OTHER" MIMETYPE="text/plain" OTHERMDTYPE="DSpaceDepositLicense">
<binData>TElDRU5DSUEgIFBBUkEgQVVUT0FSQ0hJVk8KKEFwcm9iYWRhIGVuIENvbnNlam8gZGUgR29iaWVybm8gZWwgMTggZGUgRGljaWVtYnJlIGRlIDIwMDgpCgpEZSBjYXJhIGEgZm9ybWFsaXphciBjb3JyZWN0YW1lbnRlIHRvZGFzIGxhcyBmYXNlcyBkZWwgcHJvY2VzbyBkZSAKYXV0b2FyY2hpdm8sIGVzIE1VWSBJTVBPUlRBTlRFIHF1ZSBsZWEgeSBjb21wcmVuZGEgZW4gc3UgdG90YWxpZGFkCmVsIGNvbnRlbmlkbyBkZSBsYXMgc2lndWllbnRlcyBub3JtYXMgeSBsb3MgdO+/vXJtaW5vcyBkZSBlc3RhIGxpY2VuY2lhLCAKYW50ZXMgZGUgZXhwcmVzYXIgc3UgY29uc2VudGltaWVudG8geSBhY2VwdGFjae+/vW4gbWVkaWFudGUgdW4gY2xpYyBlbiBlbCAKYm9077+9biBkZSBBQ0VQVEFSLgoKQSBlc3RvcyBlZmVjdG9zIGVsIHJlcG9zaXRvcmlvIHNlIGRlbm9taW5hIGVfQnVhaCBzdSBhZG1pbmlzdHJhZG9yIGVzIGxhIEJpYmxpb3RlY2EgZGUgbGEgVUFILCBlYnVhaEB1YWguZXMsIGNvbiBsYSBzaWd1aWVudGUgZGlyZWNjae+/vW46IEJpYmxpb3RlY2EgQ2VudHJhbCwgRmFjdWx0YWQgCmRlIE1lZGljaW5hLCBDYW1wdXMgdW5pdmVyc2l0YXJpbyBzLm4uLCAyODg3MSBBbGNhbO+/vSBkZSBIZW5hcmVzLgoKRWwgIGF1dG9yIGRlY2xhcmEgcXVlIGVzIGVsIHRpdHVsYXIgZGUgbG9zIGRlcmVjaG9zIGRlIHByb3BpZWRhZCBpbnRlbGVjdHVhbCwgCm9iamV0byBkZSBsYSBwcmVzZW50ZSBjZXNp77+9biwgZW4gcmVsYWNp77+9biBjb24gbGEgb2JyYSBxdWUgYXV0b2FyY2hpdmEsIHF1ZSAK77+9c3RhIGVzIHVuYSBvYnJhIG9yaWdpbmFsLCB5IHF1ZSBvc3RlbnRhIGxhIGNvbmRpY2nvv71uIGRlIGF1dG9yIGRlIGVzdGEgb2JyYS4KCkVuIGNhc28gZGUgc2VyIGNvdGl0dWxhciBkZSB0YWxlcyBkZXJlY2hvcywgZWwgYXV0b3IgZGVjbGFyYSBxdWUgY3VlbnRhIGNvbgogbGEgYXV0b3JpemFjae+/vW4gZGUgbG9zIHJlc3RhbnRlcyB0aXR1bGFyZXMgcGFyYSBoYWNlciBsYSBwcmVzZW50ZSBjZXNp77+9biwgeSBxdWUKIGxvcyBub21icmVzIGRlIHRvZG9zIGxvcyBjb2F1dG9yZXMgYXBhcmVjZW4gbWVuY2lvbmFkb3MgZW4gbGEgb2JyYS4KCkVuIGNhc28gZGUgcHJldmlhIGNlc2nvv71uIGEgdGVyY2Vyb3MgZGUgZGVyZWNob3MgZGUgZXhwbG90YWNp77+9biBkZSBsYSBvYnJhLCAKZWwgYXV0b3IgZGVjbGFyYSBxdWUgdGllbmUgbGEgb3BvcnR1bmEgcmVzZXJ2YSBvIGF1dG9yaXphY2nvv71uIGRlIGRpY2hvcyB0aXR1bGFyZXMgCmRlIGRlcmVjaG9zIGEgbG9zIGZpbmVzIGRlIGVzdGEgY2Vzae+/vW4uCgpDb24gZWwgZmluIGRlIGRhciBsYSBt77+9eGltYSBkaWZ1c2nvv71uIGEgZXN0YSBvYnJhIGEgdHJhdu+/vXMgZGUgaW50ZXJuZXQsIGVsIGF1dG9yIApjZWRlIGEgbGEgVW5pdmVyc2lkYWQgZGUgQWxjYWzvv70sIGRlIGZvcm1hIGdyYXR1aXRhIHkgbm8gZXhjbHVzaXZhLCBwb3IgZWwgbe+/vXhpbW8gCnBsYXpvIGxlZ2FsIHkgY29uIO+/vW1iaXRvIHVuaXZlcnNhbCwgcGFyYSBxdWUgcHVlZGEgc2VyIHV0aWxpemFkYSBkZSBmb3JtYSBsaWJyZQogeSBncmF0dWl0YSBwb3IgdG9kb3MgbG9zIHVzdWFyaW9zIGRlIGludGVybmV0LCBzaWVtcHJlIHF1ZSBzZSBjaXRlIHN1IGF1dG9y77+9YSwgCnF1ZSBubyBzZSBvYnRlbmdhIGJlbmVmaWNpbyBjb21lcmNpYWwsIHkgcXVlIG5vIHNlIHJlYWxpY2VuIG9icmFzIGRlcml2YWRhcywgCmxvcyBkZXJlY2hvcyBkZSByZXByb2R1Y2Np77+9biwgZGUgZGlzdHJpYnVjae+/vW4sIGRlIGNvbXVuaWNhY2nvv71uIHDvv71ibGljYSwgaW5jbHVpZG8KIGVsIGRlcmVjaG8gZGUgcHVlc3RhIGEgZGlzcG9zaWNp77+9biBlbGVjdHLvv71uaWNhLiBTZSBlbnRpZW5kZW4gYXV0b3JpemFkb3MgdG9kb3MgCmxvcyBhY3RvcyBuZWNlc2FyaW9zIHBhcmEgZWwgcmVnaXN0cm8gZGUgbGEgb2JyYSwgc3Ugc2VndXJpZGFkIHkgc3UgY29uc2VydmFjae+/vW4uCgpFbCBhdXRvciBnYXJhbnRpemEgcXVlIGVsIGNvbXByb21pc28gcXVlIGFxde+/vSBhZHF1aWVyZSBubyBpbmZyaW5nZSBuaW5n77+9biAKZGVyZWNobyBkZSBwcm9waWVkYWQgaW5kdXN0cmlhbCwgaW50ZWxlY3R1YWwsIGRlcmVjaG8gYWwgaG9ub3IsIGludGltaWRhZCwgbyAKaW1hZ2VuLCBvIGN1YWxxdWllciBvdHJvIGRlcmVjaG8gZGUgdGVyY2Vyb3MuIAoKRWwgYXV0b3IgYXN1bWUgdG9kYSByZWNsYW1hY2nvv71uIHF1ZSBwdWRpZXJhIGVqZXJjaXRhcnNlIGNvbnRyYSBsYSBVbml2ZXJzaWRhZCBkZQogQWxjYWzvv70gcG9yIHRlcmNlcm9zIHF1ZSB2aWVyYW4gaW5mcmluZ2lkb3Mgc3VzIGRlcmVjaG9zIGEgY2F1c2EgZGUgbGEgY2Vzae+/vW4uIAoKRWwgYXV0b3IgcmVudW5jaWEgYSBjdWFscXVpZXIgcmVjbGFtYWNp77+9biBmcmVudGUgYSBsYSBVbml2ZXJzaWRhZCBwb3IgbGFzIGZvcm1hcwogbm8gYWp1c3RhZGFzIGEgbGEgbGVnaXNsYWNp77+9biB2aWdlbnRlIGVuIHF1ZSBsb3MgdXN1YXJpb3MgaGFnYW4gdXNvIGRlIGxhcyBvYnJhcy4KCkVsIGF1dG9yIHBvZHLvv70gc29saWNpdGFyIGxhIHJldGlyYWRhIGRlIGxhIG9icmEgZGVsIHJlcG9zaXRvcmlvIHBvciBjYXVzYSBqdXN0aWZpY2FkYS4KIEEgdGFsIGZpbiBkZWJlcu+/vSBwb25lcnNlIGVuIGNvbnRhY3RvIGNvbiBlbCBhZG1pbmlzdHJhZG9yIGRlIGVfQnVhaCBlYnVhaEB1YWguZXMuCiBBc2ltaXNtbywgZWwgcmVwb3NpdG9yaW8gcG9kcu+/vSByZXRpcmFyIGxhIG9icmEsIHByZXZpYSBub3RpZmljYWNp77+9biBhbCBhdXRvciwgZW4gCnN1cHVlc3RvcyBzdWZpY2llbnRlbWVudGUganVzdGlmaWNhZG9zLCBvIGVuIGNhc28gZGUgIHJlY2xhbWFjaW9uZXMgZGUgdGVyY2Vyb3MuCgpFbCBhdXRvciBzZXLvv70gY29udmVuaWVudGVtZW50ZSBub3RpZmljYWRvIGRlIGN1YWxxdWllciByZWNsYW1hY2nvv71uIHF1ZSBwdWVkYW4KIGZvcm11bGFyIHRlcmNlcmFzIHBlcnNvbmFzIGVuIHJlbGFjae+/vW4gY29uIGxhIG9icmEuCg==</binData>
</mdWrap>
</rightsMD>
</amdSec>
<amdSec ID="FO_10017_30342_3">
<techMD ID="TECH_O_10017_30342_3">
<mdWrap MDTYPE="PREMIS">
<xmlData schemaLocation="http://www.loc.gov/standards/premis http://www.loc.gov/standards/premis/PREMIS-v1-0.xsd">
<premis:premis>
<premis:object>
<premis:objectIdentifier>
<premis:objectIdentifierType>URL</premis:objectIdentifierType>
<premis:objectIdentifierValue>https://ebuah.uah.es/dspace/bitstream/10017/30342/3/troubles_morales_EI_2006.pdf</premis:objectIdentifierValue>
</premis:objectIdentifier>
<premis:objectCategory>File</premis:objectCategory>
<premis:objectCharacteristics>
<premis:fixity>
<premis:messageDigestAlgorithm>MD5</premis:messageDigestAlgorithm>
<premis:messageDigest>757d0c431ca449c945693dfaf84693b4</premis:messageDigest>
</premis:fixity>
<premis:size>174843</premis:size>
<premis:format>
<premis:formatDesignation>
<premis:formatName>application/pdf</premis:formatName>
</premis:formatDesignation>
</premis:format>
</premis:objectCharacteristics>
<premis:originalName>troubles_morales_EI_2006.pdf</premis:originalName>
</premis:object>
</premis:premis>
</xmlData>
</mdWrap>
</techMD>
</amdSec>
<amdSec ID="FT_10017_30342_5">
<techMD ID="TECH_T_10017_30342_5">
<mdWrap MDTYPE="PREMIS">
<xmlData schemaLocation="http://www.loc.gov/standards/premis http://www.loc.gov/standards/premis/PREMIS-v1-0.xsd">
<premis:premis>
<premis:object>
<premis:objectIdentifier>
<premis:objectIdentifierType>URL</premis:objectIdentifierType>
<premis:objectIdentifierValue>https://ebuah.uah.es/dspace/bitstream/10017/30342/5/troubles_morales_EI_2006.pdf.txt</premis:objectIdentifierValue>
</premis:objectIdentifier>
<premis:objectCategory>File</premis:objectCategory>
<premis:objectCharacteristics>
<premis:fixity>
<premis:messageDigestAlgorithm>MD5</premis:messageDigestAlgorithm>
<premis:messageDigest>933ee1a36d9ceceaf7e9b2296fe5af1b</premis:messageDigest>
</premis:fixity>
<premis:size>43867</premis:size>
<premis:format>
<premis:formatDesignation>
<premis:formatName>text/plain</premis:formatName>
</premis:formatDesignation>
</premis:format>
</premis:objectCharacteristics>
<premis:originalName>troubles_morales_EI_2006.pdf.txt</premis:originalName>
</premis:object>
</premis:premis>
</xmlData>
</mdWrap>
</techMD>
</amdSec>
<fileSec>
<fileGrp USE="ORIGINAL">
<file ADMID="FO_10017_30342_3" CHECKSUM="757d0c431ca449c945693dfaf84693b4" CHECKSUMTYPE="MD5" GROUPID="GROUP_BITSTREAM_10017_30342_3" ID="BITSTREAM_ORIGINAL_10017_30342_3" MIMETYPE="application/pdf" SEQ="3" SIZE="174843">
</file>
</fileGrp>
<fileGrp USE="TEXT">
<file ADMID="FT_10017_30342_5" CHECKSUM="933ee1a36d9ceceaf7e9b2296fe5af1b" CHECKSUMTYPE="MD5" GROUPID="GROUP_BITSTREAM_10017_30342_5" ID="BITSTREAM_TEXT_10017_30342_5" MIMETYPE="text/plain" SEQ="5" SIZE="43867">
</file>
</fileGrp>
</fileSec>
<structMap LABEL="DSpace Object" TYPE="LOGICAL">
<div ADMID="DMD_10017_30342" TYPE="DSpace Object Contents">
<div TYPE="DSpace BITSTREAM">
</div>
</div>
</structMap>
</mets>
<?xml version="1.0" encoding="UTF-8" ?>
<mods:mods schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
<mods:name>
<mods:namePart>Morales Ladrón, María Soledad</mods:namePart>
</mods:name>
<mods:extension>
<mods:dateAvailable encoding="iso8601">2017-09-13T12:21:58Z</mods:dateAvailable>
</mods:extension>
<mods:extension>
<mods:dateAccessioned encoding="iso8601">2017-09-13T12:21:58Z</mods:dateAccessioned>
</mods:extension>
<mods:originInfo>
<mods:dateIssued encoding="iso8601">2006-03-01</mods:dateIssued>
</mods:originInfo>
<mods:identifier type="bibliographicCitation">Estudios irlandeses, 2006, n. 1, p. 58-66</mods:identifier>
<mods:identifier type="issn">1699-311X</mods:identifier>
<mods:identifier type="uri">http://hdl.handle.net/10017/30342</mods:identifier>
<mods:identifier type="doi">10.24162/ei2006-1340</mods:identifier>
<mods:identifier type="uxxi">AR/0000018090</mods:identifier>
<mods:identifier type="publicationtitle">Estudios irlandeses</mods:identifier>
<mods:identifier type="publicationlastpage">66</mods:identifier>
<mods:identifier type="publicationissue">1</mods:identifier>
<mods:identifier type="publicationfirstpage">58</mods:identifier>
<mods:abstract>Since the beginning of the Northern Ireland “Troubles”, interest in exploring the social and political concerns of a region affected by sectarian violence and religious bigotry has produced a significant body of literary works within which the thriller has become one of the most suitable forms of expression. The traditional action thriller has acquired in this context a rich political dimension, producing what is now widely known as the “Troubles thriller." The development of this mode has diverged into two categories: the “Troubles-trash”; and a more “literary” form, which draws on serious political matters to reflect upon social and religious disputes. Both kinds, however, have been criticised for offering a stagnant and reductive version of the dynamics of the conflict; a judgement that should be qualified. Bearing this in mind, the purpose of the present article is to analyse the ways in which these issues are echoed in the literary productions of three well-known writers: Benedict Kiely, Brian Moore and Colin Bateman.</mods:abstract>
<mods:language>
<mods:languageTerm>eng</mods:languageTerm>
</mods:language>
<mods:accessCondition type="useAndReproduction">http://creativecommons.org/licenses/by-nc-sa/4.0/</mods:accessCondition>
<mods:accessCondition type="useAndReproduction">info:eu-repo/semantics/openAccess</mods:accessCondition>
<mods:accessCondition type="useAndReproduction">Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)</mods:accessCondition>
<mods:subject>
<mods:topic>Troubles thriller</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Detective</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Identity</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Northern Ireland politics</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Benedict Kiely</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Brian Moore</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Colin Bateman</mods:topic>
</mods:subject>
<mods:titleInfo>
<mods:title>'Troubling thrillers': between politics and popular fiction in the novels of Benedict Kiely, Brian Moore and Colin Bateman</mods:title>
</mods:titleInfo>
<mods:genre>info:eu-repo/semantics/article</mods:genre>
</mods:mods>
<?xml version="1.0" encoding="UTF-8" ?>
<atom:entry schemaLocation="http://www.w3.org/2005/Atom http://www.kbcafe.com/rss/atom.xsd.xml">
<atom:id>http://hdl.handle.net/10017/30342/ore.xml</atom:id>
<atom:published>2017-09-13T12:21:58Z</atom:published>
<atom:updated>2017-09-13T12:21:58Z</atom:updated>
<atom:source>
<atom:generator>e_Buah Biblioteca Digital de la Universidad de Alcalá</atom:generator>
</atom:source>
<atom:title>'Troubling thrillers': between politics and popular fiction in the novels of Benedict Kiely, Brian Moore and Colin Bateman</atom:title>
<atom:author>
<atom:name>Morales Ladrón, María Soledad</atom:name>
</atom:author>
<oreatom:triples>
<rdf:Description about="http://hdl.handle.net/10017/30342/ore.xml#atom">
<dcterms:modified>2017-09-13T12:21:58Z</dcterms:modified>
</rdf:Description>
<rdf:Description about="https://ebuah.uah.es/dspace/bitstream/10017/30342/5/troubles_morales_EI_2006.pdf.txt">
<dcterms:description>TEXT</dcterms:description>
</rdf:Description>
<rdf:Description about="https://ebuah.uah.es/dspace/bitstream/10017/30342/1/license.txt">
<dcterms:description>LICENSE</dcterms:description>
</rdf:Description>
<rdf:Description about="https://ebuah.uah.es/dspace/bitstream/10017/30342/2/license_text">
<dcterms:description>CC-LICENSE</dcterms:description>
</rdf:Description>
<rdf:Description about="https://ebuah.uah.es/dspace/bitstream/10017/30342/3/troubles_morales_EI_2006.pdf">
<dcterms:description>ORIGINAL</dcterms:description>
</rdf:Description>
<rdf:Description about="https://ebuah.uah.es/dspace/bitstream/10017/30342/4/mets.zip">
<dcterms:description>SWORD</dcterms:description>
</rdf:Description>
</oreatom:triples>
</atom:entry>
<?xml version="1.0" encoding="UTF-8" ?>
<qdc:qualifieddc schemaLocation="http://purl.org/dc/elements/1.1/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dc.xsd http://purl.org/dc/terms/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dcterms.xsd http://dspace.org/qualifieddc/ http://www.ukoln.ac.uk/metadata/dcmi/xmlschema/qualifieddc.xsd">
<dc:title>'Troubling thrillers': between politics and popular fiction in the novels of Benedict Kiely, Brian Moore and Colin Bateman</dc:title>
<dc:creator>Morales Ladrón, María Soledad</dc:creator>
<dc:subject>Troubles thriller</dc:subject>
<dc:subject>Detective</dc:subject>
<dc:subject>Identity</dc:subject>
<dc:subject>Northern Ireland politics</dc:subject>
<dc:subject>Benedict Kiely</dc:subject>
<dc:subject>Brian Moore</dc:subject>
<dc:subject>Colin Bateman</dc:subject>
<dcterms:abstract>Since the beginning of the Northern Ireland “Troubles”, interest in exploring the social and political concerns of a region affected by sectarian violence and religious bigotry has produced a significant body of literary works within which the thriller has become one of the most suitable forms of expression. The traditional action thriller has acquired in this context a rich political dimension, producing what is now widely known as the “Troubles thriller." The development of this mode has diverged into two categories: the “Troubles-trash”; and a more “literary” form, which draws on serious political matters to reflect upon social and religious disputes. Both kinds, however, have been criticised for offering a stagnant and reductive version of the dynamics of the conflict; a judgement that should be qualified. Bearing this in mind, the purpose of the present article is to analyse the ways in which these issues are echoed in the literary productions of three well-known writers: Benedict Kiely, Brian Moore and Colin Bateman.</dcterms:abstract>
<dcterms:dateAccepted>2017-09-13T12:21:58Z</dcterms:dateAccepted>
<dcterms:available>2017-09-13T12:21:58Z</dcterms:available>
<dcterms:created>2017-09-13T12:21:58Z</dcterms:created>
<dcterms:issued>2006-03-01</dcterms:issued>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:identifier>Estudios irlandeses, 2006, n. 1, p. 58-66</dc:identifier>
<dc:identifier>1699-311X</dc:identifier>
<dc:identifier>http://hdl.handle.net/10017/30342</dc:identifier>
<dc:identifier>10.24162/ei2006-1340</dc:identifier>
<dc:identifier>AR/0000018090</dc:identifier>
<dc:identifier>Estudios irlandeses</dc:identifier>
<dc:identifier>66</dc:identifier>
<dc:identifier>1</dc:identifier>
<dc:identifier>58</dc:identifier>
<dc:language>eng</dc:language>
<dc:rights>http://creativecommons.org/licenses/by-nc-sa/4.0/</dc:rights>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:rights>Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)</dc:rights>
</qdc:qualifieddc>
<?xml version="1.0" encoding="UTF-8" ?>
<rdf:RDF schemaLocation="http://www.openarchives.org/OAI/2.0/rdf/ http://www.openarchives.org/OAI/2.0/rdf.xsd">
<ow:Publication about="oai:ebuah.uah.es:10017/30342">
<dc:title>'Troubling thrillers': between politics and popular fiction in the novels of Benedict Kiely, Brian Moore and Colin Bateman</dc:title>
<dc:creator>Morales Ladrón, María Soledad</dc:creator>
<dc:subject>Troubles thriller</dc:subject>
<dc:subject>Detective</dc:subject>
<dc:subject>Identity</dc:subject>
<dc:subject>Northern Ireland politics</dc:subject>
<dc:subject>Benedict Kiely</dc:subject>
<dc:subject>Brian Moore</dc:subject>
<dc:subject>Colin Bateman</dc:subject>
<dc:description>Since the beginning of the Northern Ireland “Troubles”, interest in exploring the social and political concerns of a region affected by sectarian violence and religious bigotry has produced a significant body of literary works within which the thriller has become one of the most suitable forms of expression. The traditional action thriller has acquired in this context a rich political dimension, producing what is now widely known as the “Troubles thriller." The development of this mode has diverged into two categories: the “Troubles-trash”; and a more “literary” form, which draws on serious political matters to reflect upon social and religious disputes. Both kinds, however, have been criticised for offering a stagnant and reductive version of the dynamics of the conflict; a judgement that should be qualified. Bearing this in mind, the purpose of the present article is to analyse the ways in which these issues are echoed in the literary productions of three well-known writers: Benedict Kiely, Brian Moore and Colin Bateman.</dc:description>
<dc:date>2017-09-13T12:21:58Z</dc:date>
<dc:date>2017-09-13T12:21:58Z</dc:date>
<dc:date>2006-03-01</dc:date>
<dc:date>2017-09-13T12:18:04Z</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:identifier>Estudios irlandeses, 2006, n. 1, p. 58-66</dc:identifier>
<dc:identifier>1699-311X</dc:identifier>
<dc:identifier>http://hdl.handle.net/10017/30342</dc:identifier>
<dc:identifier>10.24162/ei2006-1340</dc:identifier>
<dc:identifier>AR/0000018090</dc:identifier>
<dc:identifier>Estudios irlandeses</dc:identifier>
<dc:identifier>66</dc:identifier>
<dc:identifier>1</dc:identifier>
<dc:identifier>58</dc:identifier>
<dc:language>eng</dc:language>
<dc:rights>http://creativecommons.org/licenses/by-nc-sa/4.0/</dc:rights>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:rights>Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)</dc:rights>
</ow:Publication>
</rdf:RDF>
<?xml version="1.0" encoding="UTF-8" ?>
<metadata schemaLocation="http://www.lyncode.com/xoai http://www.lyncode.com/xsd/xoai.xsd">
<element name="dc">
<element name="contributor">
<element name="author">
<element name="none">
<field name="value">Morales Ladrón, María Soledad</field>
<field name="authority">27437</field>
<field name="confidence">500</field>
</element>
</element>
</element>
<element name="date">
<element name="accessioned">
<element name="none">
<field name="value">2017-09-13T12:21:58Z</field>
</element>
</element>
<element name="available">
<element name="none">
<field name="value">2017-09-13T12:21:58Z</field>
</element>
</element>
<element name="issued">
<element name="none">
<field name="value">2006-03-01</field>
</element>
</element>
<element name="updated">
<element name="none">
<field name="value">2017-09-13T12:18:04Z</field>
</element>
</element>
</element>
<element name="identifier">
<element name="bibliographicCitation">
<element name="es_ES">
<field name="value">Estudios irlandeses, 2006, n. 1, p. 58-66</field>
</element>
</element>
<element name="issn">
<element name="none">
<field name="value">1699-311X</field>
</element>
</element>
<element name="uri">
<element name="none">
<field name="value">http://hdl.handle.net/10017/30342</field>
</element>
</element>
<element name="doi">
<element name="none">
<field name="value">10.24162/ei2006-1340</field>
</element>
</element>
<element name="uxxi">
<element name="none">
<field name="value">AR/0000018090</field>
</element>
</element>
<element name="publicationtitle">
<element name="es_ES">
<field name="value">Estudios irlandeses</field>
</element>
</element>
<element name="publicationlastpage">
<element name="none">
<field name="value">66</field>
</element>
</element>
<element name="publicationissue">
<element name="none">
<field name="value">1</field>
</element>
</element>
<element name="publicationfirstpage">
<element name="none">
<field name="value">58</field>
</element>
</element>
</element>
<element name="description">
<element name="abstract">
<element name="en">
<field name="value">Since the beginning of the Northern Ireland “Troubles”, interest in exploring the social and political concerns of a region affected by sectarian violence and religious bigotry has produced a significant body of literary works within which the thriller has become one of the most suitable forms of expression. The traditional action thriller has acquired in this context a rich political dimension, producing what is now widely known as the “Troubles thriller." The development of this mode has diverged into two categories: the “Troubles-trash”; and a more “literary” form, which draws on serious political matters to reflect upon social and religious disputes. Both kinds, however, have been criticised for offering a stagnant and reductive version of the dynamics of the conflict; a judgement that should be qualified. Bearing this in mind, the purpose of the present article is to analyse the ways in which these issues are echoed in the literary productions of three well-known writers: Benedict Kiely, Brian Moore and Colin Bateman.</field>
</element>
</element>
</element>
<element name="format">
<element name="mimetype">
<element name="en">
<field name="value">application/pdf</field>
</element>
</element>
</element>
<element name="language">
<element name="iso">
<element name="en">
<field name="value">eng</field>
</element>
</element>
</element>
<element name="rights">
<element name="en">
<field name="value">Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)</field>
</element>
<element name="uri">
<element name="en">
<field name="value">http://creativecommons.org/licenses/by-nc-sa/4.0/</field>
</element>
</element>
<element name="accessRights">
<element name="en">
<field name="value">info:eu-repo/semantics/openAccess</field>
</element>
</element>
</element>
<element name="subject">
<element name="en">
<field name="value">Troubles thriller</field>
<field name="value">Detective</field>
<field name="value">Identity</field>
<field name="value">Northern Ireland politics</field>
</element>
<element name="none">
<field name="value">Benedict Kiely</field>
<field name="value">Brian Moore</field>
<field name="value">Colin Bateman</field>
</element>
<element name="eciencia">
<element name="es_ES">
<field name="value">Humanidades</field>
<field name="value">Filología</field>
</element>
<element name="en">
<field name="value">Humanities</field>
<field name="value">Philology</field>
</element>
</element>
</element>
<element name="title">
<element name="en">
<field name="value">'Troubling thrillers': between politics and popular fiction in the novels of Benedict Kiely, Brian Moore and Colin Bateman</field>
</element>
</element>
<element name="type">
<element name="en">
<field name="value">info:eu-repo/semantics/article</field>
</element>
<element name="version">
<element name="en">
<field name="value">info:eu-repo/semantics/publishedVersion</field>
</element>
</element>
</element>
<element name="affiliation">
<element name="dpto">
<element name="es_ES">
<field name="value">Universidad de Alcalá. Departamento de Filología Moderna</field>
</element>
</element>
<element name="unidad">
<element name="es_ES">
<field name="value">Área de Filología Inglesa</field>
</element>
</element>
</element>
</element>
<element name="bundles">
<element name="bundle">
<field name="name">TEXT</field>
<element name="bitstreams">
<element name="bitstream">
<field name="name">troubles_morales_EI_2006.pdf.txt</field>
<field name="originalName">troubles_morales_EI_2006.pdf.txt</field>
<field name="description">Extracted text</field>
<field name="format">text/plain</field>
<field name="size">43867</field>
<field name="url">https://ebuah.uah.es/dspace/bitstream/10017/30342/5/troubles_morales_EI_2006.pdf.txt</field>
<field name="checksum">933ee1a36d9ceceaf7e9b2296fe5af1b</field>
<field name="checksumAlgorithm">MD5</field>
<field name="sid">5</field>
</element>
</element>
</element>
<element name="bundle">
<field name="name">LICENSE</field>
<element name="bitstreams">
<element name="bitstream">
<field name="name">license.txt</field>
<field name="originalName">license.txt</field>
<field name="format">text/plain</field>
<field name="size">3007</field>
<field name="url">https://ebuah.uah.es/dspace/bitstream/10017/30342/1/license.txt</field>
<field name="checksum">9c3114f95644cc3ab5d84f6e856e041a</field>
<field name="checksumAlgorithm">MD5</field>
<field name="sid">1</field>
</element>
</element>
</element>
<element name="bundle">
<field name="name">CC-LICENSE</field>
<element name="bitstreams">
<element name="bitstream">
<field name="name">license_text</field>
<field name="originalName">license_text</field>
<field name="format">text/plain</field>
<field name="size">145</field>
<field name="url">https://ebuah.uah.es/dspace/bitstream/10017/30342/2/license_text</field>
<field name="checksum">1bb1b39e06c1f96732bdeb5aa1f8b462</field>
<field name="checksumAlgorithm">MD5</field>
<field name="sid">2</field>
</element>
</element>
</element>
<element name="bundle">
<field name="name">ORIGINAL</field>
<element name="bitstreams">
<element name="bitstream">
<field name="name">troubles_morales_EI_2006.pdf</field>
<field name="format">application/pdf</field>
<field name="size">174843</field>
<field name="url">https://ebuah.uah.es/dspace/bitstream/10017/30342/3/troubles_morales_EI_2006.pdf</field>
<field name="checksum">757d0c431ca449c945693dfaf84693b4</field>
<field name="checksumAlgorithm">MD5</field>
<field name="sid">3</field>
</element>
</element>
</element>
<element name="bundle">
<field name="name">SWORD</field>
<element name="bitstreams">
<element name="bitstream">
<field name="name">mets.zip</field>
<field name="description">Orignal SWORD deposit file</field>
<field name="format">application/zip</field>
<field name="size">173571</field>
<field name="url">https://ebuah.uah.es/dspace/bitstream/10017/30342/4/mets.zip</field>
<field name="checksum">55b549b2abcd05cae85a9f232523c69c</field>
<field name="checksumAlgorithm">MD5</field>
<field name="sid">4</field>
</element>
</element>
</element>
</element>
<element name="others">
<field name="handle">10017/30342</field>
<field name="identifier">oai:ebuah.uah.es:10017/30342</field>
<field name="lastModifyDate">2024-07-19 09:49:10.42</field>
</element>
<element name="repository">
<field name="name">e_Buah Biblioteca Digital de la Universidad de Alcalá</field>
<field name="mail">ebuah@uah.es</field>
</element>
<element name="license">
<field name="bin">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</field>
</element>
</metadata>