Logotipo de HISPANA
Logotipo del Ministerio de Cultura y Deporte
  • QUE É HISPANA?
  • Busca
  • Directorio de coleccións
  • Contacto
  • gl
    • Español
    • Euskara
    • English
    • Galego
    • Català
    • Valencià
Está en:  › Datos do registro
Linked Open Data
'This Is Getting a Little Too Chinese for Me': The Representation of China in Crime Fiction Written in English
Identificadores del recurso
1988-5946
http://hdl.handle.net/10459.1/59766
https://dx.doi.org/10.1344/co20162067-82
Procedencia
(Repositori Obert UdL)

Ficha

Título:
'This Is Getting a Little Too Chinese for Me': The Representation of China in Crime Fiction Written in English
Tema:
Crime fiction in English
China
(Sino)Orientalism
Post-colonial/postcolonial crime fiction
Lisa See
Peter May
Catherine Sampson
Lisa Brackmann
Duncan Jepson
Novel·la negra -- Història i crítica
Novel·la negra -- Xina
Descrición:
The article addresses the representation of China in contemporary crime fiction written in English. A close examination of a selection of works set in China by Lisa See, Peter May, Catherine Sampson, Lisa Brackmann and Duncan Jepson reveals that, following the hardboiled tradition and crime fictions produced in post-colonial times, these narratives scrutinize the West’s many deficiencies. However, the authors do not articulate a truly postcolonial discourse aimed at destabilizing the notion of the assumed superiority of the West and its right to intrude in other countries’ affairs. Furthermore, these narratives seem to be written to confirm the readers’ worst expectations about China, which is fated to stay poor, backward and ultimately Other, unable to achieve some degree of ‘normalization’ or Westernization that could legitimize China’s claims to modernity, improvement and ascendancy in our global economy. Thus, as we vicariously travel the country through these narratives, we face the usual array of fraudsters, tricksters and blood-thirsty murderers that populate crime fictions, but it is China itself that is singled out as the true monster of the stories.
Spanish Ministry of Economy and Competitiveness
Idioma:
English
Relación:
MINECO/PN2013-2016/FFI2013-45101-P
Reproducció del document publicat a http://dx.doi.org/10.1344/co20162067-82
Coolabah, 2016, núm. 20, p. 67-82
Autor/Productor:
Santaularia Capdevila, Isabel
Editor:
Observatori: Centre d’Estudis Australians, Australian Studies Centre, Universitat de Barcelona
Dereitos:
(c) Santaulària i Capdevila, Isabel, 2016
info:eu-repo/semantics/openAccess
Data:
2017-06-01T18:29:24Z
2016
Tipo de recurso:
article
publishedVersion

oai_dc

Descargar XML

    <?xml version="1.0" encoding="UTF-8" ?>

  1. <oai_dc:dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">

    1. <dc:title>'This Is Getting a Little Too Chinese for Me': The Representation of China in Crime Fiction Written in English</dc:title>

    2. <dc:creator>Santaularia Capdevila, Isabel</dc:creator>

    3. <dc:subject>Crime fiction in English</dc:subject>

    4. <dc:subject>China</dc:subject>

    5. <dc:subject>(Sino)Orientalism</dc:subject>

    6. <dc:subject>Post-colonial/postcolonial crime fiction</dc:subject>

    7. <dc:subject>Lisa See</dc:subject>

    8. <dc:subject>Peter May</dc:subject>

    9. <dc:subject>Catherine Sampson</dc:subject>

    10. <dc:subject>Lisa Brackmann</dc:subject>

    11. <dc:subject>Duncan Jepson</dc:subject>

    12. <dc:subject>Novel·la negra -- Història i crítica</dc:subject>

    13. <dc:subject>Novel·la negra -- Xina</dc:subject>

    14. <dc:description>The article addresses the representation of China in contemporary crime fiction written in English. A close examination of a selection of works set in China by Lisa See, Peter May, Catherine Sampson, Lisa Brackmann and Duncan Jepson reveals that, following the hardboiled tradition and crime fictions produced in post-colonial times, these narratives scrutinize the West’s many deficiencies. However, the authors do not articulate a truly postcolonial discourse aimed at destabilizing the notion of the assumed superiority of the West and its right to intrude in other countries’ affairs. Furthermore, these narratives seem to be written to confirm the readers’ worst expectations about China, which is fated to stay poor, backward and ultimately Other, unable to achieve some degree of ‘normalization’ or Westernization that could legitimize China’s claims to modernity, improvement and ascendancy in our global economy. Thus, as we vicariously travel the country through these narratives, we face the usual array of fraudsters, tricksters and blood-thirsty murderers that populate crime fictions, but it is China itself that is singled out as the true monster of the stories.</dc:description>

    15. <dc:description>Spanish Ministry of Economy and Competitiveness</dc:description>

    16. <dc:date>2017-06-01T18:29:24Z</dc:date>

    17. <dc:date>2017-06-01T18:29:24Z</dc:date>

    18. <dc:date>2016</dc:date>

    19. <dc:type>article</dc:type>

    20. <dc:type>publishedVersion</dc:type>

    21. <dc:identifier>1988-5946</dc:identifier>

    22. <dc:identifier>http://hdl.handle.net/10459.1/59766</dc:identifier>

    23. <dc:identifier>https://dx.doi.org/10.1344/co20162067-82</dc:identifier>

    24. <dc:language>eng</dc:language>

    25. <dc:relation>MINECO/PN2013-2016/FFI2013-45101-P</dc:relation>

    26. <dc:relation>Reproducció del document publicat a http://dx.doi.org/10.1344/co20162067-82</dc:relation>

    27. <dc:relation>Coolabah, 2016, núm. 20, p. 67-82</dc:relation>

    28. <dc:rights>(c) Santaulària i Capdevila, Isabel, 2016</dc:rights>

    29. <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>

    30. <dc:publisher>Observatori: Centre d’Estudis Australians, Australian Studies Centre, Universitat de Barcelona</dc:publisher>

    </oai_dc:dc>

didl

Descargar XML

    <?xml version="1.0" encoding="UTF-8" ?>

  1. <d:DIDL schemaLocation="urn:mpeg:mpeg21:2002:02-DIDL-NS http://standards.iso.org/ittf/PubliclyAvailableStandards/MPEG-21_schema_files/did/didl.xsd">

    1. <d:DIDLInfo>

      1. <dcterms:created schemaLocation="http://purl.org/dc/terms/ http://dublincore.org/schemas/xmls/qdc/dcterms.xsd">2017-06-01T18:29:24Z</dcterms:created>

      </d:DIDLInfo>

    2. <d:Item id="hdl_10459.1_59766">

      1. <d:Descriptor>

        1. <d:Statement mimeType="application/xml; charset=utf-8">

          1. <dii:Identifier schemaLocation="urn:mpeg:mpeg21:2002:01-DII-NS http://standards.iso.org/ittf/PubliclyAvailableStandards/MPEG-21_schema_files/dii/dii.xsd">urn:hdl:10459.1/59766</dii:Identifier>

          </d:Statement>

        </d:Descriptor>

      2. <d:Descriptor>

        1. <d:Statement mimeType="application/xml; charset=utf-8">

          1. <oai_dc:dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">

            1. <dc:title>'This Is Getting a Little Too Chinese for Me': The Representation of China in Crime Fiction Written in English</dc:title>

            2. <dc:creator>Santaularia Capdevila, Isabel</dc:creator>

            3. <dc:subject>Crime fiction in English</dc:subject>

            4. <dc:subject>China</dc:subject>

            5. <dc:subject>(Sino)Orientalism</dc:subject>

            6. <dc:subject>Post-colonial/postcolonial crime fiction</dc:subject>

            7. <dc:subject>Lisa See</dc:subject>

            8. <dc:subject>Peter May</dc:subject>

            9. <dc:subject>Catherine Sampson</dc:subject>

            10. <dc:subject>Lisa Brackmann</dc:subject>

            11. <dc:subject>Duncan Jepson</dc:subject>

            12. <dc:description>The article addresses the representation of China in contemporary crime fiction written in English. A close examination of a selection of works set in China by Lisa See, Peter May, Catherine Sampson, Lisa Brackmann and Duncan Jepson reveals that, following the hardboiled tradition and crime fictions produced in post-colonial times, these narratives scrutinize the West’s many deficiencies. However, the authors do not articulate a truly postcolonial discourse aimed at destabilizing the notion of the assumed superiority of the West and its right to intrude in other countries’ affairs. Furthermore, these narratives seem to be written to confirm the readers’ worst expectations about China, which is fated to stay poor, backward and ultimately Other, unable to achieve some degree of ‘normalization’ or Westernization that could legitimize China’s claims to modernity, improvement and ascendancy in our global economy. Thus, as we vicariously travel the country through these narratives, we face the usual array of fraudsters, tricksters and blood-thirsty murderers that populate crime fictions, but it is China itself that is singled out as the true monster of the stories.</dc:description>

            13. <dc:date>2017-06-01T18:29:24Z</dc:date>

            14. <dc:date>2017-06-01T18:29:24Z</dc:date>

            15. <dc:date>2016</dc:date>

            16. <dc:type>article</dc:type>

            17. <dc:identifier>1988-5946</dc:identifier>

            18. <dc:identifier>http://hdl.handle.net/10459.1/59766</dc:identifier>

            19. <dc:identifier>025168</dc:identifier>

            20. <dc:identifier>https://dx.doi.org/10.1344/co20162067-82</dc:identifier>

            21. <dc:language>eng</dc:language>

            22. <dc:relation>Reproducció del document publicat a http://dx.doi.org/10.1344/co20162067-82</dc:relation>

            23. <dc:relation>Coolabah, 2016, núm. 20, p. 67-82</dc:relation>

            24. <dc:relation>MINECO/PN2013-2016/FFI2013-45101-P</dc:relation>

            25. <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>

            26. <dc:rights>(c) Santaulària i Capdevila, Isabel, 2016</dc:rights>

            27. <dc:publisher>Observatori: Centre d’Estudis Australians, Australian Studies Centre, Universitat de Barcelona</dc:publisher>

            </oai_dc:dc>

          </d:Statement>

        </d:Descriptor>

      3. <d:Component id="10459.1_59766_1">

        1. <d:Resource mimeType="application/pdf" ref="http://repositori.udl.cat/bitstream/10459.1/59766/1/025168.pdf" />

        </d:Component>

      </d:Item>

    </d:DIDL>

etdms

Descargar XML

    <?xml version="1.0" encoding="UTF-8" ?>

  1. <thesis schemaLocation="http://www.ndltd.org/standards/metadata/etdms/1.0/ http://www.ndltd.org/standards/metadata/etdms/1.0/etdms.xsd">

    1. <title>'This Is Getting a Little Too Chinese for Me': The Representation of China in Crime Fiction Written in English</title>

    2. <creator>Santaularia Capdevila, Isabel</creator>

    3. <subject>Crime fiction in English</subject>

    4. <subject>China</subject>

    5. <subject>(Sino)Orientalism</subject>

    6. <subject>Post-colonial/postcolonial crime fiction</subject>

    7. <subject>Lisa See</subject>

    8. <subject>Peter May</subject>

    9. <subject>Catherine Sampson</subject>

    10. <subject>Lisa Brackmann</subject>

    11. <subject>Duncan Jepson</subject>

    12. <description>The article addresses the representation of China in contemporary crime fiction written in English. A close examination of a selection of works set in China by Lisa See, Peter May, Catherine Sampson, Lisa Brackmann and Duncan Jepson reveals that, following the hardboiled tradition and crime fictions produced in post-colonial times, these narratives scrutinize the West’s many deficiencies. However, the authors do not articulate a truly postcolonial discourse aimed at destabilizing the notion of the assumed superiority of the West and its right to intrude in other countries’ affairs. Furthermore, these narratives seem to be written to confirm the readers’ worst expectations about China, which is fated to stay poor, backward and ultimately Other, unable to achieve some degree of ‘normalization’ or Westernization that could legitimize China’s claims to modernity, improvement and ascendancy in our global economy. Thus, as we vicariously travel the country through these narratives, we face the usual array of fraudsters, tricksters and blood-thirsty murderers that populate crime fictions, but it is China itself that is singled out as the true monster of the stories.</description>

    13. <date>2017-06-01</date>

    14. <date>2017-06-01</date>

    15. <date>2016</date>

    16. <type>article</type>

    17. <identifier>1988-5946</identifier>

    18. <identifier>http://hdl.handle.net/10459.1/59766</identifier>

    19. <identifier>025168</identifier>

    20. <identifier>https://dx.doi.org/10.1344/co20162067-82</identifier>

    21. <language>eng</language>

    22. <relation>Reproducció del document publicat a http://dx.doi.org/10.1344/co20162067-82</relation>

    23. <relation>Coolabah, 2016, núm. 20, p. 67-82</relation>

    24. <relation>MINECO/PN2013-2016/FFI2013-45101-P</relation>

    25. <rights>info:eu-repo/semantics/openAccess</rights>

    26. <rights>(c) Santaulària i Capdevila, Isabel, 2016</rights>

    27. <publisher>Observatori: Centre d’Estudis Australians, Australian Studies Centre, Universitat de Barcelona</publisher>

    </thesis>

marc

Descargar XML

    <?xml version="1.0" encoding="UTF-8" ?>

  1. <record schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd">

    1. <leader>00925njm 22002777a 4500</leader>

    2. <datafield ind1=" " ind2=" " tag="042">

      1. <subfield code="a">dc</subfield>

      </datafield>

    3. <datafield ind1=" " ind2=" " tag="720">

      1. <subfield code="a">Santaularia Capdevila, Isabel</subfield>

      2. <subfield code="e">author</subfield>

      </datafield>

    4. <datafield ind1=" " ind2=" " tag="260">

      1. <subfield code="c">2016</subfield>

      </datafield>

    5. <datafield ind1=" " ind2=" " tag="520">

      1. <subfield code="a">The article addresses the representation of China in contemporary crime fiction written in English. A close examination of a selection of works set in China by Lisa See, Peter May, Catherine Sampson, Lisa Brackmann and Duncan Jepson reveals that, following the hardboiled tradition and crime fictions produced in post-colonial times, these narratives scrutinize the West’s many deficiencies. However, the authors do not articulate a truly postcolonial discourse aimed at destabilizing the notion of the assumed superiority of the West and its right to intrude in other countries’ affairs. Furthermore, these narratives seem to be written to confirm the readers’ worst expectations about China, which is fated to stay poor, backward and ultimately Other, unable to achieve some degree of ‘normalization’ or Westernization that could legitimize China’s claims to modernity, improvement and ascendancy in our global economy. Thus, as we vicariously travel the country through these narratives, we face the usual array of fraudsters, tricksters and blood-thirsty murderers that populate crime fictions, but it is China itself that is singled out as the true monster of the stories.</subfield>

      </datafield>

    6. <datafield ind1="8" ind2=" " tag="024">

      1. <subfield code="a">1988-5946</subfield>

      </datafield>

    7. <datafield ind1="8" ind2=" " tag="024">

      1. <subfield code="a">http://hdl.handle.net/10459.1/59766</subfield>

      </datafield>

    8. <datafield ind1="8" ind2=" " tag="024">

      1. <subfield code="a">025168</subfield>

      </datafield>

    9. <datafield ind1="8" ind2=" " tag="024">

      1. <subfield code="a">https://dx.doi.org/10.1344/co20162067-82</subfield>

      </datafield>

    10. <datafield ind1=" " ind2=" " tag="653">

      1. <subfield code="a">Crime fiction in English</subfield>

      </datafield>

    11. <datafield ind1=" " ind2=" " tag="653">

      1. <subfield code="a">China</subfield>

      </datafield>

    12. <datafield ind1=" " ind2=" " tag="653">

      1. <subfield code="a">(Sino)Orientalism</subfield>

      </datafield>

    13. <datafield ind1=" " ind2=" " tag="653">

      1. <subfield code="a">Post-colonial/postcolonial crime fiction</subfield>

      </datafield>

    14. <datafield ind1=" " ind2=" " tag="653">

      1. <subfield code="a">Lisa See</subfield>

      </datafield>

    15. <datafield ind1=" " ind2=" " tag="653">

      1. <subfield code="a">Peter May</subfield>

      </datafield>

    16. <datafield ind1=" " ind2=" " tag="653">

      1. <subfield code="a">Catherine Sampson</subfield>

      </datafield>

    17. <datafield ind1=" " ind2=" " tag="653">

      1. <subfield code="a">Lisa Brackmann</subfield>

      </datafield>

    18. <datafield ind1=" " ind2=" " tag="653">

      1. <subfield code="a">Duncan Jepson</subfield>

      </datafield>

    19. <datafield ind1="0" ind2="0" tag="245">

      1. <subfield code="a">'This Is Getting a Little Too Chinese for Me': The Representation of China in Crime Fiction Written in English</subfield>

      </datafield>

    </record>

mets

Descargar XML

    <?xml version="1.0" encoding="UTF-8" ?>

  1. <mets ID=" DSpace_ITEM_10459.1-59766" OBJID=" hdl:10459.1/59766" PROFILE="DSpace METS SIP Profile 1.0" TYPE="DSpace ITEM" schemaLocation="http://www.loc.gov/METS/ http://www.loc.gov/standards/mets/mets.xsd">

    1. <metsHdr CREATEDATE="2018-08-07T20:43:06Z">

      1. <agent ROLE="CUSTODIAN" TYPE="ORGANIZATION">

        1. <name>Repositori Obert UdL</name>

        </agent>

      </metsHdr>

    2. <dmdSec ID="DMD_10459.1_59766">

      1. <mdWrap MDTYPE="MODS">

        1. <xmlData schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">

          1. <mods:mods schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">

            1. <mods:name>

              1. <mods:role>

                1. <mods:roleTerm type="text">author</mods:roleTerm>

                </mods:role>

              2. <mods:namePart>Santaularia Capdevila, Isabel</mods:namePart>

              </mods:name>

            2. <mods:extension>

              1. <mods:dateAccessioned encoding="iso8601">2017-06-01T18:29:24Z</mods:dateAccessioned>

              </mods:extension>

            3. <mods:extension>

              1. <mods:dateAvailable encoding="iso8601">2017-06-01T18:29:24Z</mods:dateAvailable>

              </mods:extension>

            4. <mods:originInfo>

              1. <mods:dateIssued encoding="iso8601">2016</mods:dateIssued>

              </mods:originInfo>

            5. <mods:identifier type="issn">1988-5946</mods:identifier>

            6. <mods:identifier type="uri">http://hdl.handle.net/10459.1/59766</mods:identifier>

            7. <mods:identifier type="idgrec">025168</mods:identifier>

            8. <mods:identifier type="doi">https://dx.doi.org/10.1344/co20162067-82</mods:identifier>

            9. <mods:abstract>The article addresses the representation of China in contemporary crime fiction written in English. A close examination of a selection of works set in China by Lisa See, Peter May, Catherine Sampson, Lisa Brackmann and Duncan Jepson reveals that, following the hardboiled tradition and crime fictions produced in post-colonial times, these narratives scrutinize the West’s many deficiencies. However, the authors do not articulate a truly postcolonial discourse aimed at destabilizing the notion of the assumed superiority of the West and its right to intrude in other countries’ affairs. Furthermore, these narratives seem to be written to confirm the readers’ worst expectations about China, which is fated to stay poor, backward and ultimately Other, unable to achieve some degree of ‘normalization’ or Westernization that could legitimize China’s claims to modernity, improvement and ascendancy in our global economy. Thus, as we vicariously travel the country through these narratives, we face the usual array of fraudsters, tricksters and blood-thirsty murderers that populate crime fictions, but it is China itself that is singled out as the true monster of the stories.</mods:abstract>

            10. <mods:language>

              1. <mods:languageTerm authority="rfc3066">eng</mods:languageTerm>

              </mods:language>

            11. <mods:accessCondition type="useAndReproduction">(c) Santaulària i Capdevila, Isabel, 2016</mods:accessCondition>

            12. <mods:subject>

              1. <mods:topic>Crime fiction in English</mods:topic>

              </mods:subject>

            13. <mods:subject>

              1. <mods:topic>China</mods:topic>

              </mods:subject>

            14. <mods:subject>

              1. <mods:topic>(Sino)Orientalism</mods:topic>

              </mods:subject>

            15. <mods:subject>

              1. <mods:topic>Post-colonial/postcolonial crime fiction</mods:topic>

              </mods:subject>

            16. <mods:subject>

              1. <mods:topic>Lisa See</mods:topic>

              </mods:subject>

            17. <mods:subject>

              1. <mods:topic>Peter May</mods:topic>

              </mods:subject>

            18. <mods:subject>

              1. <mods:topic>Catherine Sampson</mods:topic>

              </mods:subject>

            19. <mods:subject>

              1. <mods:topic>Lisa Brackmann</mods:topic>

              </mods:subject>

            20. <mods:subject>

              1. <mods:topic>Duncan Jepson</mods:topic>

              </mods:subject>

            21. <mods:titleInfo>

              1. <mods:title>'This Is Getting a Little Too Chinese for Me': The Representation of China in Crime Fiction Written in English</mods:title>

              </mods:titleInfo>

            22. <mods:genre>article</mods:genre>

            </mods:mods>

          </xmlData>

        </mdWrap>

      </dmdSec>

    3. <amdSec ID="TMD_10459.1_59766">

      1. <rightsMD ID="RIG_10459.1_59766">

        1. <mdWrap MDTYPE="OTHER" MIMETYPE="text/plain" OTHERMDTYPE="DSpaceDepositLicense">

          1. <binData>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</binData>

          </mdWrap>

        </rightsMD>

      </amdSec>

    4. <amdSec ID="FO_10459.1_59766_1">

      1. <techMD ID="TECH_O_10459.1_59766_1">

        1. <mdWrap MDTYPE="PREMIS">

          1. <xmlData schemaLocation="http://www.loc.gov/standards/premis http://www.loc.gov/standards/premis/PREMIS-v1-0.xsd">

            1. <premis:premis>

              1. <premis:object>

                1. <premis:objectIdentifier>

                  1. <premis:objectIdentifierType>URL</premis:objectIdentifierType>

                  2. <premis:objectIdentifierValue>http://repositori.udl.cat/bitstream/10459.1/59766/1/025168.pdf</premis:objectIdentifierValue>

                  </premis:objectIdentifier>

                2. <premis:objectCategory>File</premis:objectCategory>

                3. <premis:objectCharacteristics>

                  1. <premis:fixity>

                    1. <premis:messageDigestAlgorithm>MD5</premis:messageDigestAlgorithm>

                    2. <premis:messageDigest>1671e91e9afec89dfde9615ab536f99b</premis:messageDigest>

                    </premis:fixity>

                  2. <premis:size>516736</premis:size>

                  3. <premis:format>

                    1. <premis:formatDesignation>

                      1. <premis:formatName>application/pdf</premis:formatName>

                      </premis:formatDesignation>

                    </premis:format>

                  </premis:objectCharacteristics>

                4. <premis:originalName>025168.pdf</premis:originalName>

                </premis:object>

              </premis:premis>

            </xmlData>

          </mdWrap>

        </techMD>

      </amdSec>

    5. <amdSec ID="FT_10459.1_59766_4">

      1. <techMD ID="TECH_T_10459.1_59766_4">

        1. <mdWrap MDTYPE="PREMIS">

          1. <xmlData schemaLocation="http://www.loc.gov/standards/premis http://www.loc.gov/standards/premis/PREMIS-v1-0.xsd">

            1. <premis:premis>

              1. <premis:object>

                1. <premis:objectIdentifier>

                  1. <premis:objectIdentifierType>URL</premis:objectIdentifierType>

                  2. <premis:objectIdentifierValue>http://repositori.udl.cat/bitstream/10459.1/59766/4/025168.pdf.txt</premis:objectIdentifierValue>

                  </premis:objectIdentifier>

                2. <premis:objectCategory>File</premis:objectCategory>

                3. <premis:objectCharacteristics>

                  1. <premis:fixity>

                    1. <premis:messageDigestAlgorithm>MD5</premis:messageDigestAlgorithm>

                    2. <premis:messageDigest>1495dde571f94ab170c5c1cad87e9caf</premis:messageDigest>

                    </premis:fixity>

                  2. <premis:size>62710</premis:size>

                  3. <premis:format>

                    1. <premis:formatDesignation>

                      1. <premis:formatName>text/plain</premis:formatName>

                      </premis:formatDesignation>

                    </premis:format>

                  </premis:objectCharacteristics>

                4. <premis:originalName>025168.pdf.txt</premis:originalName>

                </premis:object>

              </premis:premis>

            </xmlData>

          </mdWrap>

        </techMD>

      </amdSec>

    6. <fileSec>

      1. <fileGrp USE="ORIGINAL">

        1. <file ADMID="FO_10459.1_59766_1" CHECKSUM="1671e91e9afec89dfde9615ab536f99b" CHECKSUMTYPE="MD5" GROUPID="GROUP_BITSTREAM_10459.1_59766_1" ID="BITSTREAM_ORIGINAL_10459.1_59766_1" MIMETYPE="application/pdf" SEQ="1" SIZE="516736">

          1. <FLocat LOCTYPE="URL" href="http://repositori.udl.cat/bitstream/10459.1/59766/1/025168.pdf" type="simple" />

          </file>

        </fileGrp>

      2. <fileGrp USE="TEXT">

        1. <file ADMID="FT_10459.1_59766_4" CHECKSUM="1495dde571f94ab170c5c1cad87e9caf" CHECKSUMTYPE="MD5" GROUPID="GROUP_BITSTREAM_10459.1_59766_4" ID="BITSTREAM_TEXT_10459.1_59766_4" MIMETYPE="text/plain" SEQ="4" SIZE="62710">

          1. <FLocat LOCTYPE="URL" href="http://repositori.udl.cat/bitstream/10459.1/59766/4/025168.pdf.txt" type="simple" />

          </file>

        </fileGrp>

      </fileSec>

    7. <structMap LABEL="DSpace Object" TYPE="LOGICAL">

      1. <div ADMID="DMD_10459.1_59766" TYPE="DSpace Object Contents">

        1. <div TYPE="DSpace BITSTREAM">

          1. <fptr FILEID="BITSTREAM_ORIGINAL_10459.1_59766_1" />

          </div>

        </div>

      </structMap>

    </mets>

mods

Descargar XML

    <?xml version="1.0" encoding="UTF-8" ?>

  1. <mods:mods schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">

    1. <mods:name>

      1. <mods:namePart>Santaularia Capdevila, Isabel</mods:namePart>

      </mods:name>

    2. <mods:extension>

      1. <mods:dateAvailable encoding="iso8601">2017-06-01T18:29:24Z</mods:dateAvailable>

      </mods:extension>

    3. <mods:extension>

      1. <mods:dateAccessioned encoding="iso8601">2017-06-01T18:29:24Z</mods:dateAccessioned>

      </mods:extension>

    4. <mods:originInfo>

      1. <mods:dateIssued encoding="iso8601">2016</mods:dateIssued>

      </mods:originInfo>

    5. <mods:identifier type="issn">1988-5946</mods:identifier>

    6. <mods:identifier type="uri">http://hdl.handle.net/10459.1/59766</mods:identifier>

    7. <mods:identifier type="idgrec">025168</mods:identifier>

    8. <mods:identifier type="doi">https://dx.doi.org/10.1344/co20162067-82</mods:identifier>

    9. <mods:abstract>The article addresses the representation of China in contemporary crime fiction written in English. A close examination of a selection of works set in China by Lisa See, Peter May, Catherine Sampson, Lisa Brackmann and Duncan Jepson reveals that, following the hardboiled tradition and crime fictions produced in post-colonial times, these narratives scrutinize the West’s many deficiencies. However, the authors do not articulate a truly postcolonial discourse aimed at destabilizing the notion of the assumed superiority of the West and its right to intrude in other countries’ affairs. Furthermore, these narratives seem to be written to confirm the readers’ worst expectations about China, which is fated to stay poor, backward and ultimately Other, unable to achieve some degree of ‘normalization’ or Westernization that could legitimize China’s claims to modernity, improvement and ascendancy in our global economy. Thus, as we vicariously travel the country through these narratives, we face the usual array of fraudsters, tricksters and blood-thirsty murderers that populate crime fictions, but it is China itself that is singled out as the true monster of the stories.</mods:abstract>

    10. <mods:language>

      1. <mods:languageTerm>eng</mods:languageTerm>

      </mods:language>

    11. <mods:accessCondition type="useAndReproduction">info:eu-repo/semantics/openAccess</mods:accessCondition>

    12. <mods:accessCondition type="useAndReproduction">(c) Santaulària i Capdevila, Isabel, 2016</mods:accessCondition>

    13. <mods:subject>

      1. <mods:topic>Crime fiction in English</mods:topic>

      </mods:subject>

    14. <mods:subject>

      1. <mods:topic>China</mods:topic>

      </mods:subject>

    15. <mods:subject>

      1. <mods:topic>(Sino)Orientalism</mods:topic>

      </mods:subject>

    16. <mods:subject>

      1. <mods:topic>Post-colonial/postcolonial crime fiction</mods:topic>

      </mods:subject>

    17. <mods:subject>

      1. <mods:topic>Lisa See</mods:topic>

      </mods:subject>

    18. <mods:subject>

      1. <mods:topic>Peter May</mods:topic>

      </mods:subject>

    19. <mods:subject>

      1. <mods:topic>Catherine Sampson</mods:topic>

      </mods:subject>

    20. <mods:subject>

      1. <mods:topic>Lisa Brackmann</mods:topic>

      </mods:subject>

    21. <mods:subject>

      1. <mods:topic>Duncan Jepson</mods:topic>

      </mods:subject>

    22. <mods:titleInfo>

      1. <mods:title>'This Is Getting a Little Too Chinese for Me': The Representation of China in Crime Fiction Written in English</mods:title>

      </mods:titleInfo>

    23. <mods:genre>article</mods:genre>

    </mods:mods>

ore

Descargar XML

    <?xml version="1.0" encoding="UTF-8" ?>

  1. <atom:entry schemaLocation="http://www.w3.org/2005/Atom http://www.kbcafe.com/rss/atom.xsd.xml">

    1. <atom:id>http://hdl.handle.net/10459.1/59766/ore.xml</atom:id>

    2. <atom:link href="http://hdl.handle.net/10459.1/59766" rel="alternate" />
    3. <atom:link href="http://hdl.handle.net/10459.1/59766/ore.xml" rel="http://www.openarchives.org/ore/terms/describes" />
    4. <atom:link href="http://hdl.handle.net/10459.1/59766/ore.xml#atom" rel="self" type="application/atom+xml" />
    5. <atom:published>2017-06-01T18:29:24Z</atom:published>

    6. <atom:updated>2017-06-01T18:29:24Z</atom:updated>

    7. <atom:source>

      1. <atom:generator>Repositori Obert UdL</atom:generator>

      </atom:source>

    8. <atom:title>'This Is Getting a Little Too Chinese for Me': The Representation of China in Crime Fiction Written in English</atom:title>

    9. <atom:author>

      1. <atom:name>Santaularia Capdevila, Isabel</atom:name>

      </atom:author>

    10. <atom:category label="Aggregation" scheme="http://www.openarchives.org/ore/terms/" term="http://www.openarchives.org/ore/terms/Aggregation" />
    11. <atom:category scheme="http://www.openarchives.org/ore/atom/modified" term="2017-06-01T18:29:24Z" />
    12. <atom:category label="DSpace Item" scheme="http://www.dspace.org/objectModel/" term="DSpaceItem" />
    13. <atom:link href="http://repositori.udl.cat/bitstream/10459.1/59766/1/025168.pdf" length="516736" rel="http://www.openarchives.org/ore/terms/aggregates" title="025168.pdf" type="application/pdf" />
    14. <oreatom:triples>

      1. <rdf:Description about="http://hdl.handle.net/10459.1/59766/ore.xml#atom">

        1. <rdf:type resource="http://www.dspace.org/objectModel/DSpaceItem" />
        2. <dcterms:modified>2017-06-01T18:29:24Z</dcterms:modified>

        </rdf:Description>

      2. <rdf:Description about="http://repositori.udl.cat/bitstream/10459.1/59766/4/025168.pdf.txt">

        1. <rdf:type resource="http://www.dspace.org/objectModel/DSpaceBitstream" />
        2. <dcterms:description>TEXT</dcterms:description>

        </rdf:Description>

      3. <rdf:Description about="http://repositori.udl.cat/bitstream/10459.1/59766/3/025168.pdf.jpg">

        1. <rdf:type resource="http://www.dspace.org/objectModel/DSpaceBitstream" />
        2. <dcterms:description>THUMBNAIL</dcterms:description>

        </rdf:Description>

      4. <rdf:Description about="http://repositori.udl.cat/bitstream/10459.1/59766/2/license.txt">

        1. <rdf:type resource="http://www.dspace.org/objectModel/DSpaceBitstream" />
        2. <dcterms:description>LICENSE</dcterms:description>

        </rdf:Description>

      5. <rdf:Description about="http://repositori.udl.cat/bitstream/10459.1/59766/1/025168.pdf">

        1. <rdf:type resource="http://www.dspace.org/objectModel/DSpaceBitstream" />
        2. <dcterms:description>ORIGINAL</dcterms:description>

        </rdf:Description>

      </oreatom:triples>

    </atom:entry>

qdc

Descargar XML

    <?xml version="1.0" encoding="UTF-8" ?>

  1. <qdc:qualifieddc schemaLocation="http://purl.org/dc/elements/1.1/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dc.xsd http://purl.org/dc/terms/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dcterms.xsd http://dspace.org/qualifieddc/ http://www.ukoln.ac.uk/metadata/dcmi/xmlschema/qualifieddc.xsd">

    1. <dc:title>'This Is Getting a Little Too Chinese for Me': The Representation of China in Crime Fiction Written in English</dc:title>

    2. <dc:creator>Santaularia Capdevila, Isabel</dc:creator>

    3. <dc:subject>Crime fiction in English</dc:subject>

    4. <dc:subject>China</dc:subject>

    5. <dc:subject>(Sino)Orientalism</dc:subject>

    6. <dc:subject>Post-colonial/postcolonial crime fiction</dc:subject>

    7. <dc:subject>Lisa See</dc:subject>

    8. <dc:subject>Peter May</dc:subject>

    9. <dc:subject>Catherine Sampson</dc:subject>

    10. <dc:subject>Lisa Brackmann</dc:subject>

    11. <dc:subject>Duncan Jepson</dc:subject>

    12. <dc:subject>Novel·la negra -- Història i crítica</dc:subject>

    13. <dc:subject>Novel·la negra -- Xina</dc:subject>

    14. <dcterms:abstract>The article addresses the representation of China in contemporary crime fiction written in English. A close examination of a selection of works set in China by Lisa See, Peter May, Catherine Sampson, Lisa Brackmann and Duncan Jepson reveals that, following the hardboiled tradition and crime fictions produced in post-colonial times, these narratives scrutinize the West’s many deficiencies. However, the authors do not articulate a truly postcolonial discourse aimed at destabilizing the notion of the assumed superiority of the West and its right to intrude in other countries’ affairs. Furthermore, these narratives seem to be written to confirm the readers’ worst expectations about China, which is fated to stay poor, backward and ultimately Other, unable to achieve some degree of ‘normalization’ or Westernization that could legitimize China’s claims to modernity, improvement and ascendancy in our global economy. Thus, as we vicariously travel the country through these narratives, we face the usual array of fraudsters, tricksters and blood-thirsty murderers that populate crime fictions, but it is China itself that is singled out as the true monster of the stories.</dcterms:abstract>

    15. <dcterms:dateAccepted>2017-06-01T18:29:24Z</dcterms:dateAccepted>

    16. <dcterms:available>2017-06-01T18:29:24Z</dcterms:available>

    17. <dcterms:issued>2016</dcterms:issued>

    18. <dc:type>article</dc:type>

    19. <dc:identifier type="dcterms:URI">http://hdl.handle.net/10459.1/59766</dc:identifier>

    20. <dc:language type="dcterms:ISO639-3">eng</dc:language>

    21. <dc:relation>Reproducció del document publicat a http://dx.doi.org/10.1344/co20162067-82</dc:relation>

    22. <dc:relation>Coolabah, 2016, núm. 20, p. 67-82</dc:relation>

    23. <dc:relation>MINECO/PN2013-2016/FFI2013-45101-P</dc:relation>

    24. <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>

    25. <dc:rights>(c) Santaulària i Capdevila, Isabel, 2016</dc:rights>

    26. <dc:publisher>Observatori: Centre d’Estudis Australians, Australian Studies Centre, Universitat de Barcelona</dc:publisher>

    </qdc:qualifieddc>

rdf

Descargar XML

    <?xml version="1.0" encoding="UTF-8" ?>

  1. <rdf:RDF schemaLocation="http://www.openarchives.org/OAI/2.0/rdf/ http://www.openarchives.org/OAI/2.0/rdf.xsd">

    1. <ow:Publication about="oai:repositori.udl.cat:10459.1/59766">

      1. <dc:title>'This Is Getting a Little Too Chinese for Me': The Representation of China in Crime Fiction Written in English</dc:title>

      2. <dc:creator>Santaularia Capdevila, Isabel</dc:creator>

      3. <dc:subject>Crime fiction in English</dc:subject>

      4. <dc:subject>China</dc:subject>

      5. <dc:subject>(Sino)Orientalism</dc:subject>

      6. <dc:subject>Post-colonial/postcolonial crime fiction</dc:subject>

      7. <dc:subject>Lisa See</dc:subject>

      8. <dc:subject>Peter May</dc:subject>

      9. <dc:subject>Catherine Sampson</dc:subject>

      10. <dc:subject>Lisa Brackmann</dc:subject>

      11. <dc:subject>Duncan Jepson</dc:subject>

      12. <dc:description>The article addresses the representation of China in contemporary crime fiction written in English. A close examination of a selection of works set in China by Lisa See, Peter May, Catherine Sampson, Lisa Brackmann and Duncan Jepson reveals that, following the hardboiled tradition and crime fictions produced in post-colonial times, these narratives scrutinize the West’s many deficiencies. However, the authors do not articulate a truly postcolonial discourse aimed at destabilizing the notion of the assumed superiority of the West and its right to intrude in other countries’ affairs. Furthermore, these narratives seem to be written to confirm the readers’ worst expectations about China, which is fated to stay poor, backward and ultimately Other, unable to achieve some degree of ‘normalization’ or Westernization that could legitimize China’s claims to modernity, improvement and ascendancy in our global economy. Thus, as we vicariously travel the country through these narratives, we face the usual array of fraudsters, tricksters and blood-thirsty murderers that populate crime fictions, but it is China itself that is singled out as the true monster of the stories.</dc:description>

      13. <dc:date>2017-06-01T18:29:24Z</dc:date>

      14. <dc:date>2017-06-01T18:29:24Z</dc:date>

      15. <dc:date>2016</dc:date>

      16. <dc:type>article</dc:type>

      17. <dc:identifier>1988-5946</dc:identifier>

      18. <dc:identifier>http://hdl.handle.net/10459.1/59766</dc:identifier>

      19. <dc:identifier>025168</dc:identifier>

      20. <dc:identifier>https://dx.doi.org/10.1344/co20162067-82</dc:identifier>

      21. <dc:language>eng</dc:language>

      22. <dc:relation>Reproducció del document publicat a http://dx.doi.org/10.1344/co20162067-82</dc:relation>

      23. <dc:relation>Coolabah, 2016, núm. 20, p. 67-82</dc:relation>

      24. <dc:relation>MINECO/PN2013-2016/FFI2013-45101-P</dc:relation>

      25. <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>

      26. <dc:rights>(c) Santaulària i Capdevila, Isabel, 2016</dc:rights>

      27. <dc:publisher>Observatori: Centre d’Estudis Australians, Australian Studies Centre, Universitat de Barcelona</dc:publisher>

      </ow:Publication>

    </rdf:RDF>

Hispana

Portal de acceso ao patrimonio dixital e ao agregador nacional de contidos de Europeana.

Contacto

Accede ao noso formulario e contestarémosche con moita brevidade.

Contacto

Twitter

Tweets by Hispana_roai

Facebook

HISPANA
© Ministerio de Cultura y Deporte
  • Aviso Legal
  • Accesibilidade