Ficha

oai_dc

Descargar XML

<?xml version="1.0" encoding="UTF-8" ?>

1. <oai_dc:dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">

   1. <dc:title lang="en-US">Computer-based synaesthesia and the design of complex methods to approach multimodal realities of dance and music through technology. An interview with Alexander R. Jensenius, Deputy-Director of the RITMO Centre of Excellence of the University of Oslo</dc:title>

   2. <dc:creator>Poveda Yánez, Jorge</dc:creator>

   3. <dc:subject lang="en-US">Embodiment</dc:subject>

   4. <dc:subject lang="en-US">Interdisciplinary research methods</dc:subject>

   5. <dc:subject lang="en-US">technology</dc:subject>

   6. <dc:subject lang="en-US">intangible cultural heritage</dc:subject>

   7. <dc:subject lang="en-US">dance.</dc:subject>

   8. <dc:description lang="en-US">After producing ground-breaking computer-based tools to advance the study of human movement, such as the video-visualization techniques contained in the Musical-Gestures Toolbox, Alexander Refsum Jensenius has con-tinued to find more creative and analytical possibilities to intersect our understandings of music and dance. In the current context of technology-assisted misappropriation of tradi-tional songs and dances, I interviewed the Deputy Director of the RITMO Centre on how we might revert the link between new technol-ogies and intangible cultural heritage for the benefit of legitimate bearers.Furthermore, in this interview, Alexander out-lines the embodied and interdisciplinary ap-proach towards music that has grounded the course of his career but even more interesting-ly, he offers insights about the future of expe-riencing dance through technology and the possibility of dancing robots.</dc:description>

   9. <dc:publisher lang="es-ES">UNED</dc:publisher>

   10. <dc:date>2020-11-25</dc:date>

   11. <dc:type>info:eu-repo/semantics/article</dc:type>

   12. <dc:type>info:eu-repo/semantics/publishedVersion</dc:type>

   13. <dc:format>application/pdf</dc:format>

   14. <dc:identifier>http://revistas.uned.es/index.php/RHD/article/view/27029</dc:identifier>

   15. <dc:identifier>10.5944/rhd.vol.5.2020.27029</dc:identifier>

   16. <dc:source lang="es-ES">Revista de Humanidades Digitales; Vol. 5 (2020); 211-216</dc:source>

   17. <dc:source lang="en-US">Revista de Humanidades Digitales; Vol. 5 (2020); 211-216</dc:source>

   18. <dc:source>2531-1786</dc:source>

   19. <dc:source>10.5944/rhd.vol.5.2020</dc:source>

   20. <dc:language>eng</dc:language>

   21. <dc:relation>http://revistas.uned.es/index.php/RHD/article/view/27029/22273</dc:relation>

   22. <dc:rights lang="es-ES">Derechos de autor 2021 Jorge Poveda Yánez</dc:rights>

   </oai_dc:dc>

marcxml

Descargar XML

<?xml version="1.0" encoding="UTF-8" ?>

1. <record schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd">

   1. <leader>nmb a2200000Iu 4500</leader>

   2. <controlfield tag="008">"201125 2020 eng "</controlfield>

   3. <datafield ind1="#" ind2="#" tag="022">

      1. <subfield code="$a">2531-1786</subfield>

      </datafield>

   4. <datafield ind1=" " ind2=" " tag="042">

      1. <subfield code="a">dc</subfield>

      </datafield>

   5. <datafield ind1="0" ind2="0" tag="245">

      1. <subfield code="a">Computer-based synaesthesia and the design of complex methods to approach multimodal realities of dance and music through technology. An interview with Alexander R. Jensenius, Deputy-Director of the RITMO Centre of Excellence of the University of Oslo</subfield>

      </datafield>

   6. <datafield ind1="1" ind2=" " tag="100">

      1. <subfield code="a">Poveda Yánez, Jorge</subfield>

      2. <subfield code="u">Universidad de Roehampton</subfield>

      3. <subfield code="0">http://linkedin.com/in/jorge-poveda-yanez-a01670175</subfield>

      4. <subfield code="0">http://orcid.org/0000-0002-1415-3580</subfield>

      </datafield>

   7. <datafield ind1=" " ind2=" " tag="520">

      1. <subfield code="a">After producing ground-breaking computer-based tools to advance the study of human movement, such as the video-visualization techniques contained in the Musical-Gestures Toolbox, Alexander Refsum Jensenius has con-tinued to find more creative and analytical possibilities to intersect our understandings of music and dance. In the current context of technology-assisted misappropriation of tradi-tional songs and dances, I interviewed the Deputy Director of the RITMO Centre on how we might revert the link between new technol-ogies and intangible cultural heritage for the benefit of legitimate bearers. Furthermore, in this interview, Alexander out-lines the embodied and interdisciplinary ap-proach towards music that has grounded the course of his career but even more interesting-ly, he offers insights about the future of expe-riencing dance through technology and the possibility of dancing robots.</subfield>

      </datafield>

   8. <datafield ind1=" " ind2=" " tag="260">

      1. <subfield code="b">UNED</subfield>

      </datafield>

   9. <dataField ind1=" " ind2=" " tag="260">

      1. <subfield code="c">2020-11-25 16:35:01</subfield>

      </dataField>

   10. <datafield ind1=" " ind2=" " tag="856">

       1. <subfield code="q">application/pdf</subfield>

       </datafield>

   11. <datafield ind1="4" ind2="0" tag="856">

       1. <subfield code="u">http://revistas.uned.es/index.php/RHD/article/view/27029</subfield>

       </datafield>

   12. <datafield ind1="0" ind2=" " tag="786">

       1. <subfield code="n">Revista de Humanidades Digitales; Vol. 5 (2020)</subfield>

       </datafield>

   13. <datafield ind1=" " ind2=" " tag="546">

       1. <subfield code="a">eng</subfield>

       </datafield>

   14. <datafield ind1=" " ind2=" " tag="540">

       1. <subfield code="a">Derechos de autor 2021 Jorge Poveda Yánez</subfield>

       </datafield>

   </record>

oai_marc

Descargar XML

<?xml version="1.0" encoding="UTF-8" ?>

1. <oai_marc catForm="u" encLvl="3" level="m" status="c" type="a" schemaLocation="http://www.openarchives.org/OAI/1.1/oai_marc http://www.openarchives.org/OAI/1.1/oai_marc.xsd">

   1. <fixfield id="008">"201125 2020 eng "</fixfield>

   2. <varfield i1="#" i2="#" id="022">

      1. <subfield label="$a">2531-1786</subfield>

      </varfield>

   3. <varfield i1=" " i2=" " id="042">

      1. <subfield label="a">dc</subfield>

      </varfield>

   4. <varfield i1="0" i2="0" id="245">

      1. <subfield label="a">Computer-based synaesthesia and the design of complex methods to approach multimodal realities of dance and music through technology. An interview with Alexander R. Jensenius, Deputy-Director of the RITMO Centre of Excellence of the University of Oslo</subfield>

      </varfield>

   5. <varfield i1="1" i2=" " id="100">

      1. <subfield label="a">Poveda Yánez, Jorge</subfield>

      2. <subfield label="u">Universidad de Roehampton</subfield>

      3. <subfield label="0">http://linkedin.com/in/jorge-poveda-yanez-a01670175</subfield>

      4. <subfield label="0">http://orcid.org/0000-0002-1415-3580</subfield>

      </varfield>

   6. <varfield i1=" " i2=" " id="520">

      1. <subfield label="a">After producing ground-breaking computer-based tools to advance the study of human movement, such as the video-visualization techniques contained in the Musical-Gestures Toolbox, Alexander Refsum Jensenius has con-tinued to find more creative and analytical possibilities to intersect our understandings of music and dance. In the current context of technology-assisted misappropriation of tradi-tional songs and dances, I interviewed the Deputy Director of the RITMO Centre on how we might revert the link between new technol-ogies and intangible cultural heritage for the benefit of legitimate bearers. Furthermore, in this interview, Alexander out-lines the embodied and interdisciplinary ap-proach towards music that has grounded the course of his career but even more interesting-ly, he offers insights about the future of expe-riencing dance through technology and the possibility of dancing robots.</subfield>

      </varfield>

   7. <varfield i1=" " i2=" " id="260">

      1. <subfield label="b">UNED</subfield>

      </varfield>

   8. <varfield i1=" " i2=" " id="260">

      1. <subfield label="c">2020-11-25 16:35:01</subfield>

      </varfield>

   9. <varfield i1=" " i2=" " id="856">

      1. <subfield label="q">application/pdf</subfield>

      </varfield>

   10. <varfield i1="4" i2="0" id="856">

       1. <subfield label="u">http://revistas.uned.es/index.php/RHD/article/view/27029</subfield>

       </varfield>

   11. <varfield i1="0" i2=" " id="786">

       1. <subfield label="n">Revista de Humanidades Digitales; Vol. 5 (2020)</subfield>

       </varfield>

   12. <varfield i1=" " i2=" " id="546">

       1. <subfield label="a">eng</subfield>

       </varfield>

   13. <varfield i1=" " i2=" " id="540">

       1. <subfield label="a">Derechos de autor 2021 Jorge Poveda Yánez</subfield>

       </varfield>

   </oai_marc>

rfc1807

Descargar XML

<?xml version="1.0" encoding="UTF-8" ?>

1. <rfc1807 schemaLocation="http://info.internet.isi.edu:80/in-notes/rfc/files/rfc1807.txt http://www.openarchives.org/OAI/1.1/rfc1807.xsd">

   1. <bib-version>v2</bib-version>

   2. <id>http://revistas.uned.es/index.php/RHD/article/view/27029</id>

   3. <entry>2020-11-27T17:58:17Z</entry>

   4. <organization>U</organization>

   5. <organization>Vol. 5 (2020); 211-216</organization>

   6. <title>Computer-based synaesthesia and the design of complex methods to approach multimodal realities of dance and music through technology. An interview with Alexander R. Jensenius, Deputy-Director of the RITMO Centre of Excellence of the University of Oslo</title>

   7. <type />

   8. <author>Poveda Yánez, Jorge; Universidad de Roehampton</author>

   9. <date>2020-11-25</date>

   10. <copyright>Los autores que publican en esta revista están de acuerdo con los siguientes términos:Los artículos publicados en la revista se encuentran disponibles en acceso abierto.Los autores conservan los derechos de autor y garantizan a la revista el derecho de ser la primera publicación del trabajo al igual que licenciarlo bajo una  Licencia Creative Commons Atribución-NoComercial 4.0 Internacional, que permite copiar y redistribuir el material en cualquier medio o formato y remezclar, transformar y construir a partir del material bajo los siguientes términos: debe dar crédito de manera adecuada, brindar un enlace a la licencia, e indicar si se han realizado cambios; no puede hacer uso del material con propósitos comerciales.Los autores pueden depositar el trabajo en un repositorio de preprints, postprints,  establecer por separado acuerdos adicionales para la distribución no exclusiva de la versión de la obra publicada en la revista (por ejemplo, situarlo en un repositorio institucional o publicarlo en un libro), con un reconocimiento de su publicación inicial en esta revista.Se permite y se anima a los autores a difundir sus trabajos electrónicamente (por ejemplo, en repositorios institucionales o en su propio sitio web) antes y durante el proceso de envío, ya que puede dar lugar a intercambios productivos, así como a una citación más temprana y mayor de los trabajos publicados</copyright>

   11. <other_access>url:http://revistas.uned.es/index.php/RHD/article/view/27029</other_access>

   12. <keyword />
   13. <period />
   14. <monitoring />

   15. <language>Array</language>

   16. <language>Array</language>

   17. <language>Array</language>

   18. <language>Array</language>

   19. <language>Array</language>

   20. <language>Array</language>

   21. <language>Array</language>

   22. <language>Array</language>

   23. <language>Array</language>

   24. <abstract>After producing ground-breaking computer-based tools to advance the study of human movement, such as the video-visualization techniques contained in the Musical-Gestures Toolbox, Alexander Refsum Jensenius has con-tinued to find more creative and analytical possibilities to intersect our understandings of music and dance. In the current context of technology-assisted misappropriation of tradi-tional songs and dances, I interviewed the Deputy Director of the RITMO Centre on how we might revert the link between new technol-ogies and intangible cultural heritage for the benefit of legitimate bearers.Furthermore, in this interview, Alexander out-lines the embodied and interdisciplinary ap-proach towards music that has grounded the course of his career but even more interesting-ly, he offers insights about the future of expe-riencing dance through technology and the possibility of dancing robots.</abstract>

   </rfc1807>