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Decadence and S. K. Neumann – an Attempt at a Classical Interpretation

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http://dialnet.unirioja.es/servlet/oaiart?codigo=5309296

(Revista) ISSN 1579-8372

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Título:: Decadence and S. K. Neumann – an Attempt at a Classical Interpretation
Tema:: decadence; antiquity; mannerism; Dionysus; gnosis
Descripción:: In European art, the end of the nineteenth century is clearly marked by the return to antiquity. This study deals with the reception and re-evaluation of the ancient tradition within the poetic work of Stanislav Kostka Neumann. The decadent period of Neumann’s work is characterized as a Dionysian-Daedalic model. As an interpretation clue, the author has chosen Hocke’s and Curtius’ Great Mannerism theory, i.e. alternation of manneristic and classical periods in European cultural history, and Nietzsche’s dichotomy of classical antiquity as a combination of Dionysian and Apollonian elements. The neomanneristic interpretation of Neumann’s work is supported by the interpretation of the decadent poetics as a new gnosis, although peculiarly received. Therefore, in this case, reception of antiquity may be viewed very broadly as a search for a common root, a cultural or anthropological constant extending through history; not merely as a straightforward reception of ancient motifs. Decadent poetics is also considered as a postmodern gesture which reflects the polytheistic point of view of antiquity. It is therefore a criticism of the modern society of the Enlightenment and Cartesian subjectivism by means of the return to archaic mythology. The decadent myth consists of the Dionysus cult on the one hand and the reception of gnosis on the other. Yet the classical motifs are ideologically re-evaluated according to temporal needs. Antiquity thus becomes a radical decadent gesture, intended as the response to the crisis of the modern and secularized society of the Enlightenment.
Fuente:: Mundo eslavo: revista de cultura y estudios eslavos, ISSN 1579-8372, Nº. 12, 2013, pags. 37-51
Idioma:: English
Autor/Productor:: Sirovátka, Štěpán
Derechos:: LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: http://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: http://dialnet.unirioja.es/info/derechosOAI
Fecha:: 2013
Tipo de recurso:: text (article)

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1. <dc:title>Decadence and S. K. Neumann – an Attempt at a Classical Interpretation</dc:title>
2. <dc:creator>Sirovátka, Štěpán</dc:creator>
3. <dc:subject>decadence</dc:subject>
4. <dc:subject>antiquity</dc:subject>
5. <dc:subject>mannerism</dc:subject>
6. <dc:subject>Dionysus</dc:subject>
7. <dc:subject>gnosis</dc:subject>
8. <dc:description>In European art, the end of the nineteenth century is clearly marked by the return to antiquity. This study deals with the reception and re-evaluation of the ancient tradition within the poetic work of Stanislav Kostka Neumann. The decadent period of Neumann’s work is characterized as a Dionysian-Daedalic model. As an interpretation clue, the author has chosen Hocke’s and Curtius’ Great Mannerism theory, i.e. alternation of manneristic and classical periods in European cultural history, and Nietzsche’s dichotomy of classical antiquity as a combination of Dionysian and Apollonian elements. The neomanneristic interpretation of Neumann’s work is supported by the interpretation of the decadent poetics as a new gnosis, although peculiarly received. Therefore, in this case, reception of antiquity may be viewed very broadly as a search for a common root, a cultural or anthropological constant extending through history; not merely as a straightforward reception of ancient motifs. Decadent poetics is also considered as a postmodern gesture which reflects the polytheistic point of view of antiquity. It is therefore a criticism of the modern society of the Enlightenment and Cartesian subjectivism by means of the return to archaic mythology. The decadent myth consists of the Dionysus cult on the one hand and the reception of gnosis on the other. Yet the classical motifs are ideologically re-evaluated according to temporal needs. Antiquity thus becomes a radical decadent gesture, intended as the response to the crisis of the modern and secularized society of the Enlightenment.</dc:description>
9. <dc:date>2013</dc:date>
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14. <dc:language>eng</dc:language>
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